Réalisation:
Dev PatelPhotographie:
Sharone MeirMusique:
Jed KurzelActeurs·trices:
Dev Patel, Sharlto Copley, Sikandar Kher, Pitobash Tripathy, Sobhita Dhulipala, Vipin Sharma, Makrand Deshpande, Ashwini Kalsekar (plus)VOD (3)
Résumés(1)
Inspiré de la légende d’Hanuman, l’homme singe, personnage mythique et véritable incarnation de la force et du courage en Inde, le film met en vedette Dev Patel lui-même, dans le rôle de Kid, un gamin des rues qui, après l'horrible massacre de son village natal, a grandi orphelin dans les rues de la ville fictive de Yatana. Il finit par gagner sa vie dans un club qui organise des combats clandestins où, dissimulé derrière un masque de gorille, il se laisse battre au sang par des adversaires pour de l'argent. Après toutes ces années à contenir sa rage le jeune homme trouve le moyen d'accéder à la sinistre élite de la ville. Subitement submergé par son traumatisme d'enfance il va se retourner violemment contre ceux qui lui ont tout pris et trouver ce que les mystérieuses cicatrices de ses mains cachent en vérité. (Universal International FR)
(plus)Critiques (8)
In the field of action movies, Monkey Man is a revelation similar to what the first John Wick was in its time, but it gets essential extra points for having a lot of heart. An extremely likable aspect of Monkey Man is that this straightforward and formalistically well-worn revenge flick packed with fighting was made as its creator’s dream project, making it even more resistant to all kinds of adversity. Dev Patel, whom everyone sees as an actor who plays sensitive characters, returns here to his adolescence, when he practice taekwondo at the competitive level. Or, as the case may be, he goes even farther back in time, when he enthusiastically watched the physically captivating and emancipatory films of Bruce Lee. In addition to that, he also makes good use of his thorough knowledge of martial-arts action films and their Western, Far Eastern and Indian milestones from the decades that followed. However, Monkey Man offers more than just enthusiastic references, which Patel acknowledges and highlights. He is able to self-sufficiently use those references as a foundation and push them further – not necessarily through any sophistication or purposeful bombastic radicalism, but through the long built-up desire to show what he has within himself. The notional boxing ring of the action genre has been dominated in recent years by the 87eleven stable, which still manages to bare its teeth with each new John Wick movie, but because its style has become the mainstream standard, it already seems noticeably hackneyed and worn-out. In this analogy, Patel and his team represent those young, aggressive and hungry outsiders whom no one believes in at the beginning, but who then capture the hearts of the whole crowd by the time the fight is over. Patel’s combination of Bollywood colourfulness, eclectic multiculturalism (in terms of aesthetics and genre, as well as the traditions of martial arts) and pervasive enthusiasm would suffice to make Monkey Man something special and give it the decision on points. But there is also the brutal choreography and, primarily, the extraordinary camerawork by Stephen Renney, newly promoted from stuntman to camera operator, which tear the established competition to pieces with their aggressiveness, rawness, uncompromising physical energy and wild dynamism.
()
Where John Wick is all about fancy choreography and nicely shot bombastic action, Monkey Man adds a more human hero with motivations closer to my own, animalism, an unadorned and attractive setting in India, mysticism, and thought-provoking social themes (even if those are only lightly pitched). Yeah, I can enjoy an "action movie" in this form. Audiovisually top notch, a fantastic directorial debut.
()
Good stuff, though a little different than I expected. Dev Patel turned out to be a good action hero, but more importantly he managed to show his talent as a director. He knows how to play with visuals and over-stylized colours, beautifully evoking the feeling of two worlds in an Indian metropolis, and he's totally confident and assured in action. He makes imaginative use of camera and editing, as well as cover versions of 80s songs, and he's not afraid of blood in the slightest. Monkey Man is very much a gritty spectacle, and in the action scenes it recalls The Raid or Ong-bak, and Tom Yum Goong with Tony Jaa in its dirtiness and uncompromising nature. So it's rather disappointing that all this visual and action deliciousness is based on the most banal revenge story, there are virtually no supporting characters and the Indian mysticism has perhaps too much space for my taste. Moreover, it doesn't really get going properly until somewhere around the middle, so I left the cinema feeling that I might not have gotten quite what I was hoping for. As a debut, however, Monkey Man is mature, imaginative and clearly acted and filmed with gusto. As an action filmmaker, Dev Patel will definitely interest me.
()
Whoever expects an action spectacle and wicked thrashing will inevitably be disappointed, though I can’t remember the last time I saw a film that radiates such pure and palpable anger, or even rage. Dev Patel has filmed a somewhat fragile story about brutal revenge that, based on the myth of the monkey king, shakes a fist at contemporary India and its social chasms and injustices. Monkey Man is refreshing in that it doesn’t build up a macho avenger, but a character who has to harmonise his masculine and feminine sides in order to become the (monkey’s) fist of justice. The film nicely mythologises and works with the antithesis of the image of India as a land of light, fragrances and colours that we know from the dreadful Slumdog Millionaire. Patel goes all-in on both aspects. Intense acting, imaginative directing – the way the film inventively changes style and tells the same story twice reliably held my attention. In addition to that, I was emotionally touched by the motif of motherhood and the ensuing fragility of the modern-day Hanuman. The result? A film that economises on the action, but it doesn’t seem lacking. Like its protagonist, it works hard for its moments. Monkey Man knocked me out.
()
Beautiful. The first proper action flick of the year from the inexperienced Dev Patel, who shines both in acting and directing, and to come up with such a great debut in this day and age, takes my appreciation and compliments. Even if the 5 stars aren't entirely pure, I'll happily give them to Monkey Man, this is after all my favourite genre and a film I'll happily watch with friends again, so why not! At its core, Monkey Man is a classic revenge actioner, but thanks to the Indian realities and culture, it has a very different vibe and actually feels very fresh. I loved the contrast where one scene is slums and utter poverty and squalor and the next is skyscrapers with rich scumbags doing coke instead of shots and banging Miss World. There are only three action scenes, but they are nice and long. The first lasts at least 20 minutes, it’s where Dev Patel doesn't know how to fight that much yet, so he gets a decent ass kicking too. Halfway through, the film switches a bit into spiritual Indian mode, where Patel gets a workout and they nicely show India from a different direction, so that we can then get a look at the Ring, this is where the film is most reminiscent of the Ong-bak, and it’s all wrapped up with an ultra brutal long finale that combines both John Wick and The Raid. The finale is again long, pleasingly brutal, with great cinematography (Patel nicely switches camera angles: bird's eye view, first person camera, close up and distance), and I like that the film has virtually no shooting but relies on melee weapons, and I liked the innovative element of rocket firecrackers!! The Indian assassins at the end were a delight, they were pretty damn cool, and the ultimate boss fight was a nice cherry on top. I had a great time, visually properly dirty and brutal, the action scenes are polished, Patel has charisma to spare and, as I mentioned, the Indian culture suits the film very well. It could have had a little more gore, there's less of it than I wanted in the end, but I'll rise above that. 85%
()
John Wick with neon vibes in Only God Forgives. The determined punching bag fixated on revenge, after his spiritual preparation, goes for the shining mango, well aware that it is the sun. The caste system, corruption, ostracization of the Hijra community, the majority of wealth in the hands of a minority—all these are just lightly touched upon so that the focus can be intensely placed on the individuals responsible. It’s not an original transformation of anger, but Dev Patel holds his film above Mumbai like a mighty Shiva.
()
MONKEY MAN! MONKEY MAN! MONKEY MAN! MONKEY MAN! A bloody action romp with a mystical intermezzo and a subtle political background. Dev Patel is the writer, director and star of this heartfelt revenge project. The cleansing of the indigenous population for the sake of building a factory (probably for biscuits) resonates nicely, but the audio-visual package takes this unconventionally told traditional story to a new level. Contact battles alternating points of view, a high-paced chase through crowded streets, sweat and blood, and a cut through social groups from the bottom to the top. All beautifully framed by the tale of Hanuman. A unexpectedly mature work.
()
The first half hooked me cleverly, as the suspense and anticipation of when Dev Patel would finally start slaughtering the rich guys was built up decently, but the entire second half seemed to be a different film altogether and it didn't win me over at all. The whole thing is a kind of John Wick from Wish, lacking any creativity in the action sequences and in fact anything memorable. As it is, it's just a purely average revenge genre flick with a pretty lame background of the main character and nothing more. Overhyped
()
Annonces