Réalisation:
John WooScénario:
Robert Archer LynnPhotographie:
Sharone MeirMusique:
Marco BeltramiActeurs·trices:
Joel Kinnaman, Catalina Sandino Moreno, Kid Cudi, Harold Torres, Vinny O'Brien, Anthony GiuliettiRésumés(1)
La veille de Noël, un père de famille (Joel Kinnaman) voit son jeune fils mourir, victime collatérale d’une fusillade entre deux gangs rivaux. Alors qu’il se remet progressivement de la blessure qui l’a rendu muet, il se lance dans un programme d’entraînement intensif afin de venger sa mort. Maniement des armes à feu et des armes blanche, dextérité au combat rapproché et à la conduite automobile, c’est un homme que rien ne semble pouvoir arrêter qui part sur le chemin ombrageux de la vengeance. (Metropolitan Vidéo)
(plus)Critiques (4)
John Woo's best era of movies is behind him and Silent Night doesn't completely offend, but if you're a fan of A-list action flicks, this has no chance to succeed. Plus, the idea of a silent hero didn't work for me. I felt hardly any sympathy towards the protagonist, we don't find out his character and there are no wisecracks, so I see this as a minus. Moreover, nothing happens for the first fifty minutes. The protagonist loses his son and is badly injured, and for more than half the film he copes and practices before deciding to take revenge. The second half is pretty good, it's R-rated, with occasionally nice slow motion, visually it’s fine (the two intense fights are great), but the shootouts are bland as the opponents charge like dummies, and the final showdown is nothing special either. Joel Kinnaman with his weird expression didn't suit me at all for the first time. All in all, a watchable but forgettable action B-movie. 55%
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Idéal pour une gueule de bois de lendemain de réveillon. Pas de dialogue, juste la narration visuelle spectaculaire typique de John Woo, comme dans un film de Van Damme des années 90. Avec des scènes d’action décentes et un Joel Kinnaman plausible dans le rôle du « héros d’action du peuple ». Silent Night est une sorte de Nobody plus paresseux sur le plan du scénario, sans l’humour et avec un peu de kitsch, par exemple lorsqu’un père en deuil voit le visage de son fils mort dans une boule de Noël. Et il n’y avait pas de colombes blanches dans le film, ou alors je les ai ratées ?
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This won't be a Christmas classic. John Woo made a variation of Death Wish as a silent film and that's about the only thing the film stands out for. The long exposition where Dad recovers, learns how to kill on YouTube and works out in the basement isn't very substantial and portrays him as a bit (a lot) of a selfish asshole. The action is properly gory, but compared to the likes of John Wick, it's not second league, but third league. It's just not interesting enough anymore. Luckily there are older pieces like Hard Boiled or Killer that the uninitiated can use to fix their appetite.
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When I put on a revenge action flick, I want revenge action. Here, however, I literally had to wait 50 minutes (no, I'm not kidding, it really is half the movie) before things got going and before the main character whines about losing his son, whereupon we get John Wick-style action but from Aliexpress. It doesn’t matter that technically and visually the film is up to par when the script, the pace and the shootouts with everyone coming at them like a pig to the slaughter are B-movie quality and not entertaining. There were a few highlight scenes in the kills, sure, it's just that as a whole it's just terribly bland, it didn't kick my ass and it doesn't bring anything new to the genre, so when you add in the extremely boring pacing, it comes out to a disappointing two stars. I guess we're too spoiled by John Wick and Nobody to continue to be excited by such bollocks.
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