Réalisation:
Antoine FuquaScénario:
Richard WenkPhotographie:
Robert RichardsonMusique:
Marcelo ZarvosActeurs·trices:
Denzel Washington, Dakota Fanning, Gaia Scodellaro, Bruno Bilotta, David Denman, Eugenio Mastrandrea, Melissa Leo, Sonia Ammar, Remo Girone (plus)VOD (4)
Résumés(1)
Depuis qu'il a renoncé à sa vie d'assassin au service du gouvernement, Robert McCall peine à faire la paix avec ses démons du passé et trouve un étrange réconfort en défendant les opprimés. Alors qu'il a trouvé son havre de paix dans le sud de l'Italie, il découvre que ses amis sont sous le contrôle de la mafia locale. Quand les événements prennent une tournure mortelle, McCall sait ce qu'il doit faire : protéger ses amis en s'attaquant à la mafia. (Sony Pictures Releasing France)
(plus)Critiques (7)
Il est dommage qu’Equalizer 3 comporte moins d’action, et en particulier un règlement de comptes avec le principal « méchant » du film qui laisse à désirer sur le plan formel. Le charisme de Denzel Washington et l’excellente stylisation de son personnage en justicier suprême, sur fond de conflit avec la Camorra italienne, promettaient une boucherie plus grande et plus longue, avec un plus grand nombre de cadavres. John Wick nous a trop gâtés… Même dans ses moments les plus calmes, Equalizer 3 reste cependant divertissant avec ses bons personnages, son atmosphère italienne, et surtout la tension croissante de l’affrontement qui se prépare entre la brutale pègre locale et le héros américain ultime. L’épilogue est inutilement pathétique (Italie) et naïf (San Francisco).
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SPOILER ! Denzel Washington en Sicile, ou plutôt dans le sud de l'Italie ? Pourquoi pas. Le film le montre profitant du calme et de la convivialité des habitants après s'être blessé lors de sa dernière mission. Il se heurte à un jeune délinquant arrogant et violent qui terrorise les gens du coin, avant de rapidement l'éliminer. Entre alors en jeu le frère aîné du délinquant, un poil plus intelligent, plus puissant et plus cruel. Mais de lui et de sa bande, Denzel n'en fait aussi qu'une bouchée. Dakota Fanning joue un rôle mineur, apparaissant brièvement dans quelques scènes, tantôt au téléphone, tantôt au café, puis, à la fin, à l'hôpital, après qu'elle a presque laissé sa peau dans l'explosion d'une bombe. J'aimerais bien savoir quel était son cachet. C'est plus ou moins tout ce qu'il y a à dire sur ce numéro trois. Le film n'est pas déplaisant à voir, les décors italiens donnent un nouveau souffle, mais ce troisième volet n'apporte rien de neuf. Correct comme fin de trilogie, je dirais.
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Antoine Fuqua and Denzel Washington, and a great conclusion to a successful trilogy. The third part is not better than the first, but it surpasses the sequel and for me it is another great job on my favorite theme. Fuqua is right at home in this revenge mode, and while it's not a frantic action ride in the vein of John Wick and Extraction, it doesn't matter as The Equalizer benefits from a great main character, an attractive setting and compelling dialogue, making the film stand out above other revenge action genre flicks. Washington has charisma to spare, and the way he can play a likeable guy one moment and a cold and uncompromising assassin with a stare that gives you chills the next is amazing. This time we look at a quaint Italian town where Denzel is injured and getting used to the quiet idyllic life of the friendly locals, but the town is terrorized by the local Mafia and Denzel will have to take the law into his own hands. The film keeps a leisurely pace, but thanks to a great setting, likeable characters and engaging dialogue, it never gets boring and when it comes to the action, it's pleasantly brutal with effective kills. The best part is quite possibly the opening itself, which is very nicely brutal. I also enjoyed the two Italian brothers-villains, who got what they deserved. However, I was a bit disappointed with the finale itself, which felt rather rushed and the showdown with the bad guy wasn't as satisfying as the finale from the first film, but I can get over that. It's still quality entertainment that I enjoyed for 2 hours. PS: that jump-scare in the explosion with the cars was lethal!
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Roberto McCall and his Sicilian mishaps with cups of tea and filleting Camorra. When he sizes up his targets, whose eyes will soon cloud over and gills lose their pinkness, he fully embodies the nobility of his character. He only gets out of breath when climbing the stairs to the church! Man on Fire 4 is driven primarily by him, even as he navigates obstacles such as a clumsy script, directorial mannerisms (the scene in the square with the crowd in resistance, reminiscent of Training Day, was somewhat painful), and the Dakota Fanning casting error. I consider the frequent use of darkness and cutting to conceal the action a positive for the aging Denzel. At least this way, he maintains the aura of a killer who can time the demise of his enemies with precision.
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It doesn't beat the originality and the villain of the first one, but it does beat the sterile and uninspired second one. The Equalizer thankfully didn't end up like, say, Taken, and with the third film, the duo Washington-Fuqua made a worthy finale, or let McCall age with honor and in the beautiful Amalfi setting. Last Chapter is surprisingly less action-packed than the previous installments and shapes the mix of the fragile family atmosphere of a small town that has its own specific spiritual charge vs. extreme violence and gore quite adequately, something Fuqua is unafraid of and knows how to handle pretty well. Nothing beats the opening scene, and no other passage even comes close, but as a whole the third Equalizer is watchable. Denzel is no longer an invincible killer, but a vulnerable older man, plagued by the demons of his past, and every now and then he kicks someone's ass and does what's right along the way through life. Exactly between 3-4.
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A former hitman is enjoying his retirement in Sicily, but his idyll is shattered by a gang of mobsters who are taking money from the locals, so he decides to take matters into his own hands. I'd love so badly to enthusiastically say that it's been a brutal carnage and an action-packed ride ever since, but sadly it's not, and hence my relatively painful disappointment. The opening is perfect, the Sicilian setting is familiar and the locations are knockout, Antoine Fuqua already has something of a handle on the craft and Denzel Washington needs no mention. The guy was probably born to play this role, his acting chops and charisma make his character one of the most memorable movie assassins ever and when it comes down to it, there's a hell of a lot of fear and respect that can't be said for many of today's characters. So what's the problem? Well, the fact that the killing and stabbing are awesome, but unfortunately it only happens twice in the entire film. Once in the town, where I was soaked wet with joy, fear and suspense, and then in the finale, which doesn't compare to the warehouse or the town from previous installments and is a very weak concoction by comparison. In short, it's as if they were banking more on the location and Denzel's toothpaste commercial smile than the hard, bloody action we all went to see the film for. As it is, it's unfortunately very disappointing and summing up five minutes of action with a lackluster conclusion just isn't enough for me. If they had tightened up, I wouldn't be afraid to give it a full five stars, as technically the film is on a very high level indeed. A painful shame...
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The closing chapter of Robert McCall’s journey was a triumph! I was a bit worried before the screening that the film might fall into the trap of genre clichés, something the second film slightly suffered from, but Antoine Fuqua came up with a smart solution. Setting the epilogue of the saga in the picturesque town of Altamonte on beautiful Sicily was a masterstroke. I thoroughly enjoyed the camera shots sweeping over these landscapes (quite a change from the overused America, right?). Adding to that a well-developed story for the genre, I really don’t know what I could fault the film for. The Italian mafia’s fearlessness in brutality genuinely surprised me; I didn’t expect Fuqua to deliver such a naturalistic portrayal. Although there are relatively few action sequences, their impact is all the more effective (again accompanied by a great soundtrack). The opening scene in the vineyard (which is also shot absolutely brilliantly) sets the uncompromising tone for the film. Besides Denzel Washington, who once again fully embraces the role of the stoic retired CIA agent, I was pleased to see Dakota Fanning (it’s been a long 19 years since Man on Fire). Yeah, this was really well done. For me, it’s a strong 8/10. P.S. The first film remains unmatched due to the villain. Csokas is truly one of a kind :)
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Annonces