Réalisation:
Ben AffleckScénario:
Alex ConveryPhotographie:
Robert RichardsonActeurs·trices:
Matt Damon, Ben Affleck, Jason Bateman, Viola Davis, Chris Messina, Marlon Wayans, Chris Tucker, Matthew Maher, Julius Tennon, Tom Papa (plus)VOD (1)
Résumés(1)
AIR reveals the unbelievable game-changing partnership between a then rookie Michael Jordan and Nike’s fledgling basketball division which revolutionized the world of sports and contemporary culture with the Air Jordan brand. This moving story follows the career-defining gamble of an unconventional team with everything on the line, the uncompromising vision of a mother who knows the worth of her son’s immense talent, and the basketball phenom who would become the greatest of all time. (Amazon Studios)
(plus)Critiques (8)
Une fraîche aventure entrepreneuriale avec une fin heureuse qui fait chaud au cœur, à une époque de l’histoire américaine que l’on trouve aujourd’hui la plus sympathique d’entre toutes. Air n’est pas aussi drôle ni aussi séduisant par son amoralisme que Le Loup de Wall Street, et ne se révèle pas non plus une curiosité aussi intéressante que Le Stratège, mais il s’agit tout de même d’une histoire vraie, habilement réalisée et interprétée, sur le rêve américain. « Booorn in the USA ! »
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Laissez-vous emporter par une vague vivifiante de capitalisme américain pur et dur et savourez une histoire dont vous connaissez déjà le dénouement avec certitude, mais qui vous divertira grâce à des dialogues captivants et une mise en scène dynamique sur près de deux heures. C'est très « by the numbers », mais il ne faut pas forcément voir ça comme un inconvénient.
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Après tant d'années, le courant passe toujours entre Ben Affleck et Matt Damon, des amis et collègues qui ont laissé derrière eux quelques bons moments de cinéma. À l'échelle mondiale, Air n'est pas évident du point de vue de sa thématique. C'est un film principalement pour les USA et pour le public américain, friand de ce type d'histoire avec des héros qui émergent parmi les losers, outsiders, humiliés et offensés, une famille noire dominée par la mère, etc., etc. Bien sûr, à un certain stade du film, idéalement à la fin, un encensement massif est de mise, sans lequel on ne peut voir quasi aucun film américain. Ça suffit pour le négatif, passons maintenant au point positif. Malgré un sujet assez plat, le film ne lasse pas malgré sa durée étendue, Viola Davis brille comme toujours, Chris Tucker sort répartie sur répartie et le basket a toujours été et sera toujours un sport attractif pour moi. Mais assembler à nouveau une Dream Team aussi forte que celle des Jeux olympiques de Barcelone sera difficile ; il lui manquera toujours l'exceptionnel Michael Jordan...
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Shortly before the screening began, I told my mates that Air would have to be a damn good film, because the story of how a pair of sports shoes became so successful was not interesting to me in the slightest. But fortunately, as the minutes passed , it turned out that it might not actually be thanks to Ben Affleck. Air is still about Sonny Vaccaro trying to talk Michael Jordan's family into signing a deal with a failing division of Nike, but in the end it's about something else entirely. About people who know they're mediocre and that their name will end up in obscurity a few years after their death, and they hope they can stand alongside the legends for a while. Affleck avoids pathos, knows how to lighten the drama with wit at the right moments and knows he can rely on the actors. He manages to perfectly evoke the atmosphere of the 80s (the opening credits are great), keep it civil and tell a seemingly ordinary story about small people who sensed a chance to do something special and be part of something big. A good film
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A feel-good sporty retro genre film with a good cast, great music, a clever script and a fun pace, which reminded me of Moneyball. The story may seem uninteresting at first glance, but it's simply an engaging and enjoyable flick from start to finish, with occasional humour. Nike did the best it could with this decision. Ben Affleck and Matt Damon are excellent. 8/10.
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Thanks to Viola Davis, Mama Jordan acts as the brilliant mastermind behind all the incredible hard work of a few eager white boys to feed off the fame of a future legend. Of course, it's been all about percentages all along, but the journey, full of the optimism of the 1980s, an appetite for work and a few... well, fuck it, Just Do It... is captivating. I wouldn't have expected a movie about the signing of a shoe contract to be this good, and I'm not only looking forward to watching it again, but I'm going to find where the nearest basketball shoe store is. Affleck and Damon give brilliant performances! They should get together more often.
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A breezy retro adventure, with a somewhat clichéd script and a clichéd final gala performance by Matt Damon that is perhaps be compelling in terms of acting and emotional integrity, but how many of these have we seen before? An alternative to the founders of McDonald’s or Apple. In short, go for your goal, fight, don't give up and in this case sign Michael Jordan. The rest is history. I prefer Affleck as an actor, and that’s no exception here, but he's a decent director too, he just needs more refined material.
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The relaxed approach throughout its entire runtime and the lingering presence (or rather the absence) of Michael Jordan can make it seem like a well-made movie. But when you peel back the layers, it's as routine as they come. There's not even a hint of an attempt at anything original here.
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Annonces