Résumés(1)

En 1957, Tobias, un enfant turbulent, et sa mère Carolin débarquent à Seattle après avoir fui le petit ami de cette dernière. Elle y fait la connaissance de Dwight, un mécanicien avec qui une idylle naît très vite. (Orange Cinéma Séries)

Vidéo (1)

Bande-annonce

Critiques (4)

Malarkey 

Toutes les critiques de l’utilisateur·trice

anglais A strong 90s drama showcasing the brilliance of De Niro, Barkin, and a young DiCaprio. Set in the 50s and based on true events, this film delivers a gripping story. DiCaprio’s portrayal of a troubled teen clashing with his abusive stepfather is intense and haunting. The way DiCaprio steals the spotlight, only to have De Niro match him scene for scene, is mesmerizing. While the acting is top-notch, the story itself is pretty straightforward and doesn’t evolve much. But if you're here for the performances, you won't be disappointed. ()

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais A duel of filmmaking aces and a terrific portrayal of the relationship entanglements of a lower-middle-class family with all the downsides you can imagine. Fortunately, Michael Caton-Jones is also a solid craftsman, but that's not really the point here. He works with the actors on a couple of meters, and handles that admirably. As the film progresses, the characters become more and more likeable and emotional; they are are unusually plastic and not only the main ones! ()

Annonces

Isherwood 

Toutes les critiques de l’utilisateur·trice

anglais The film is great as a small psychological depiction of the relationship between a son and a despotic father, and especially in the acting parts, it is an absolutely brilliant clash of acting personalities of their generations. Unfortunately, it occasionally stumbles into trifles such as a more stylish portrayal of its time (it’s too artificial at times) and somewhat neglected supporting characters, yet who often strongly influence the protagonists, so they should have had more screen time. Caton-Jones is a solid craftsman who can make an impactful scene (the final fight), but the whole, including the idea of the film, escapes through his fingers. If it wasn’t for that, it would have been perfect. ()

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