Résumés(1)

Quand Ray découvre que sa femme le trompe, il décide de mettre fin à ses jours. Il se gare sur le parking d’un motel. Mais au moment de passer à l’acte, un inconnu fait irruption dans sa voiture, pensant avoir affaire au tueur qu’il a engagé. (ARP Sélection)

Vidéo (1)

Bande-annonce

Critiques (2)

Gilmour93 

Toutes les critiques de l’utilisateur·trice

anglais Choosing the right tool. A slightly self-promotional motto, which given its proponent cannot be debated, but what if you make a mistake in the selection? A sleepy neo-noir about a naive weakling trying to show off his cojones. But when the current fodder for flies is presented to the queen, won’t it be cold soon? It aimed to approach the Texases and Minnesotas of its more famous counterparts, but Shane Atkinson hasn’t yet mastered those characters in varying degrees of corruption with the same fatal and tragicomic touch. I understand that the killer played by Dylan Baker was meant to deceive with his elderly appearance, but the author might as well polish a bomb to a slaughterhouse pistol based on the initial recommendation in the comment. ()

Ediebalboa 

Toutes les critiques de l’utilisateur·trice

anglais LaRoy, a backwater in Texas that smells slightly of the Coens, but don't look for the famous directing duo this time. Shane Atkinson comes through with a strong feature debut, where you can see the inspiration from other black-humor crime films, but his own voice doesn't waver in the process, as he holds his script firmly in hand. I found myself while watching it just waiting for the comedy-crime to get unleashed, only that nothing like that happens. There are no dead ends or dragging. On the contrary, there are elements of a novel buddy movie with an original neo-western ending. Maybe that's why this first feature was nodded by a bunch of quality actors who often only play sidekicks for Hollywood stars, but whose faces you remember damn well (Steve Zahn, John Magaro and especially Dylan Baker). ()

Annonces

Photos (9)