Réalisation:
Francis Ford CoppolaPhotographie:
Gordon WillisActeurs·trices:
Al Pacino, Diane Keaton, Talia Shire, Andy Garcia, Eli Wallach, Joe Mantegna, George Hamilton, Bridget Fonda, Sofia Coppola, Raf Vallone (plus)VOD (4)
Résumés(1)
Dans le New York de la fin des années 1970, Michael Corleone « le Parrain » est à l’heure des bilans. Il songe à son enfance mouvementée, à sa famille italo-américaine toujours attachée à ses origines. Arrivé aux sommets du pouvoir, las et désabusé, il souhaite à présent réhabiliter les affaires de la « famille », quitter les activités douteuses et obtenir la consécration de l’Eglise. Il voudrait pouvoir oublier les drames, les rivaux, et renouer avec sa famille qu’il a brisée. Michael se rapproche ainsi de sa seconde femme Kay et de leur fils Tony, en espérant se faire pardonner ses erreurs du passé. (LaCinetek)
(plus)Critiques (9)
"Real power can't be given. It must be taken." Is returning to the subject matter sixteen years later just flogging a dead horse? No, not at all. Although The Godfather III can’t equal its predecessors, it is still so much better than most other movie productions that it is impossible to give it less than a full set of stars. And the closing half hour is the best passage of the entire trilogy. A marvelous (and again unforgettable) ending to this family saga.
()
Dans le troisième volet de la saga, le personnage de l'avocat joué par Robert Duvall me manque, ainsi que la chimie entre les membres du clan, dont il était le ciment. Et le Michael Corleone de Pacino est très différent - on ne dirait pas que huit ans se sont écoulés depuis le dernier film, mais plutôt vingt. Le retour en Sicile et les accords avec l'église pour accéder aux sphères de pouvoir les plus élevées sont cependant un terrain fertile pour un autre panorama de voyous corrompus, et la réflexion de Michael sur sa propre vie, chargée du poids destructeur de la culpabilité, fait de ce film une conclusion digne de la trilogie. Et aussi la plus émotionnelle.
()
The Godfather is hands-down the best (rated) film saga that leaves me utterly underwhelmed.
()
Completely different from the first two installments, deliberately so, and yet still brilliant. It starts off slightly slower, but the final half-hour is possibly the best of the entire saga. Francis Ford Coppola this time gives preference to the younger generation portrayed by the great duo Andy Garcia+Coppola, with Vincent, as a younger version of Michael, taking the lead. It's a beautiful feeling when Connie or Kay appear on the scene, and the ailing Godfather watches over everything, his almost forgotten past resurfacing. Plenty of nostalgia, fate, and memories with a new twist, and throughout the entire duration, chills run down your spine as the viewer more than suspects how it will all end, but doesn't want it to be that way. Or for it to end at all.
()
I was the most worried about the last Godfather. After all, continuing the story so many years later is unusual and raises some concerns. A huge time shift in the story, the ageing of the main characters, and so forth. However, my fears were unjustified because the script is tightened to the last detail and doesn't lose any of the atmosphere of the previous films, but it pushes the plot all the way to 1978. Al Pacino is brilliant again as Don Michael, and Andy Garcia is great in the supporting role. The breathtaking Corleone saga comes to an end, and all we have left are the memories.
()
For me personally, the best part of the trilogy. Coppola finally brought some dynamics and tension into it, which was missing for me in the first two parts. Bridget Fonda and especially Andy Garcia, who was rightfully nominated for an Oscar, also helped a lot. The ending was truly heart-stopping.
()
The fourth star was squeezed out by the camera, because otherwise this family drama, which you can totally decode within an hour and you know exactly where it's going, has little to do with the mafia theme. Sadly, it's the takeover of the reins from the initially uncouth redneck Andy Garcia that makes it clear that the Corleone family corporation is effectively dead, because even distinguished behavior, an expensive jacket, and four liters of motor oil in his hair can't hide his true origins and violent nature.
()
The third Godfather wasn’t as impressive as the first two. The heavy atmosphere was gone, Michael Corleone, now in his older age, gave the film a tired look. The film's extreme length felt overwhelming this time, the few bright moments got almost lost in it. A large part of the film bored me, and I was only pleased with the revelation that even mafia organizations are absolutely no match for the Vatican, and that Francis Ford Coppola understood exactly what kind of film he was making and made it a family business.
()
I finally got to the third part of this trilogy, which I kept postponing due to its incredible length. But that's behind me now, and I'm quite disappointed with the last installment. It's like the aging of Don Vito Corleone portrayed by Marlon Brando, but now with a fairly charismatic and also wonderfully disturbed Al Pacino. There are also quite similar scenes to those in the first film, so at times, it seems recycled. I'm not disappointed, I just wasn't as captivated by the film as I was by the previous two.
()
Annonces