Réalisation:
Alejandro AmenábarScénario:
Alejandro AmenábarPhotographie:
Javier AguirresarobeMusique:
Alejandro AmenábarActeurs·trices:
Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Alakina Mann, James Bentley, Eric Sykes, Elaine Cassidy, Keith Allen, Renée Asherson (plus)VOD (4)
Résumés(1)
1945. La Seconde Guerre mondiale est terminée mais le mari de Grace n'est pas revenu du front. Dans une immense demeure victorienne isolée sur l'île de Jersey, cette jeune femme pieuse élève seule ses deux enfants, Anne et Nicholas, selon les principes stricts de sa religion. Atteints d'un mal étrange, ces derniers ne peuvent être exposés à la lumière du jour. Ils vivent donc reclus dans ce manoir qui doit constamment rester dans l'obscurité. Un jour d'épais brouillard, trois nouveaux domestiques se présentent. Ils devront se plier à une règle vitale : aucune porte ne doit être ouverte avant que la précédente n'ait été fermée. Mais quelqu'un désobéit à cet ordre… Grace a-t-elle perdu la raison ? Anne, sa fille, a-t-elle des visions ? Derrière leur discrétion, que leur cachent les nouveaux domestiques ? Quel secret renferme l’immense demeure où ils vivent terrés, loin de l’agitation du monde ? Jusqu’à l’éclaircissement final, Alejandro Amenábar instille un climat oppressant qui embrouille les esprits. Avec un art consommé du suspense, il assemble autour de Nicole Kidman un patchwork de mille peurs enfantines : au-dehors, l’étrange brouillard, et au-dedans, la pénombre, les portes closes et les rideaux tirés, et tous ces "autres" dont le murmure perçu engendre les pires cris d’effroi. (Arte)
(plus)Critiques (6)
One of my favorite horror films. Amenábar directed his own great screenplay excellently. The whole film is literally soaked in an atmosphere that most horror films can only dream of. It keeps you on the edge of your seat and doesn’t end in a disappointing way as is often the case. In fact, the whole thing escalates deliciously at the end and some of the powerful atmosphere lingers on for a while after the credits roll. I'm not a big Nicole Kidman fan so the biggest surprise for me was how good she was in this film. I enjoyed it. Well done!
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My second encounter with Amenábar and another great movie experience. As in Thesis, he makes do with very little, and here he is able to masterfully create tension, even in such a banal situation as opening and closing a door. I got really scared a couple of times, and I was in constant suspense about what would come next. The final twist is really very surprising and I doubt anyone would have guessed it in advance. The Others is clear proof that it is possible to make a good horror film without macabre scenes, you "just" have to have a good script and be skilled behind the camera. And Amenábar has plenty of skills. He must be a renaissance man, he not only wrote the script but also the music (excellent!) and was even one of the orchestra members. I’m looking forward to your next film, Master. I can call you that, right?
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Very good ghost story, no doubt. But it didn’t take my breath away. 75 %
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Scared faces, darkness, and noises that almost kill the audience with their loudness in the silence. I probably haven't seen a well-staged horror film like this before. From its intimate beginning, through its unsettling progression, to its nerve-wracking finish with a devastating plot twist. During my first viewing, I was in complete shock, and the scene "but I am your daughter" made it damn hard for me to sleep for a while.
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The Others is the first film by director Alejandro Amenábar that I had the chance to see, and it made a great impression on me. It is the direction that significantly elevates this film above average. The premise is reminiscent of the ghostly film The Sixth Sense, but it's different - somewhat more intimate and slower-paced. This allows the details to stand out, as well as the superb acting from Nicole Kidman and the child actors. I openly admit that this film surpasses The Sixth Sense in my eyes, albeit just slightly. Good cinematography and lighting perfectly complement the gloomy atmosphere. Overall impression: 90%. This film exemplifies how to create a horror atmosphere without expensive special effects, bloody splatters, and jump scares.
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From the opening minutes you’ll be impressed by the oppressive environment and the atmosphere of a large and dark house, and even though the film moves at a very slow pace, you’ll remain sitting in your chair as if nailed, waiting for the big and dark thing that is inevitably getting closer and closer. The Others doesn't just induce terror through cheap jump-scares or gruesome apparitions, but rather, the director slowly and cleverly pushes the envelope throughout, playing with suspenseful scenes and managing to strike at the most unexpected moment. And the final twist, which I was really curious about, managed to surprise and shock me. But I was too at a loss for a full rating.
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Annonces