Réalisation:
Clint EastwoodScénario:
Paul HaggisPhotographie:
Tom SternMusique:
Clint EastwoodActeurs·trices:
Clint Eastwood, Hilary Swank, Morgan Freeman, Anthony Mackie, Jay Baruchel, Mike Colter, Lucia Rijker, Brían F. O'Byrne, Margo Martindale (plus)VOD (4)
Résumés(1)
Rejeté depuis longtemps par sa fille, l’entraîneur Frankie Dunn s’est replié sur lui-même et vit dans un désert affectif, en évitant toute relation qui pourrait accroître sa douleur et sa culpabilité. Le jour où Maggie Fitzgerald, 31 ans, pousse la porte de son gymnase à la recherche d’un coach, elle n’amène pas seulement avec elle sa jeunesse et sa force, mais aussi une histoire jalonnée d’épreuves et une exigence, vitale et urgente : monter sur le ring, entraînée par Frankie, et enfin concrétiser le rêve d’une vie. Après avoir repoussé plusieurs fois sa demande, Frankie se laisse convaincre par l’inflexible détermination de la jeune femme. Une relation mouvementée, tour à tour stimulante et exaspérante, se noue entre eux, au fil de laquelle Maggie et l’entraîneur se découvrent une communauté d’esprit et une complicité inattendues... (La Pellicule Ensorcelée)
(plus)Critiques (8)
An incredibly intense film of immense emotion, touching, comforting, and chilling, that nails you to your seat and doesn't let go until the final catharsis. Due to its emotional charge, it will never leave my mind, especially thanks to the captivating shadowplay that shrouds the gymnasium and the three flawless performances that impressively stand out from it.
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Un drame minimaliste et impressionnant, qui ne m'a cependant pas autant touché que le plus émotionnellement riche Un monde parfait. Pauvre Martin Scorsese, qui s'est tant investi dans chaque détail de son film perfectionniste, bien que légèrement mesuré, L'aviateur. Ça a dû être un coup dur pour lui de se faire souffler l'Oscar par quelqu'un qui s'est enfermé seulement quelques jours avec trois acteurs dans un gymnase. Million Dollar Baby repose sur un scénario fort, les perles monologues de Morgan Freeman et la performance d'actrice extraordinaire de Hilary Swank. Clint Eastwood en lui-même ne fait que prendre des poses de l'homme d'acier avec une blessure à l'âme et ne reçoit une nomination aux Oscars que pour son charisme - ce qui est injuste. Freeman est détendu, mais il est plus lui-même qu'il ne joue grand-chose. La caméra et la réalisation font des miracles avec des budgets limités. Un très joli petit film. Plus simple et modeste que Mystic River, mais tout aussi puissant.
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It took me a long, long time to get into this film, because I felt that Eastwood was emotionally blackmailing me in the end. If only! This is one of the best films about human desire, courage without boundaries and especially the right to deal with one's life according to one's best knowledge and conscience. In the words of Piergiorgio Welby: "man has a right to life, but does not mean that man must live it at all costs", and I would see this as the main mission of Eastwood's work (and I would recommend it to all Catholics). Bravo Clint, bravo Hilary!
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A brilliantly directed and perhaps even better acted film that is not just about sport as it might initially seem. In some moments it pushes a little too hard on the emotions, but in many places it is naturally emotionally strong. And I wouldn’t want to get punched by Hillary Swank.
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So I finally caught up on on this film that I've been putting off for a long time due to ignoring women in martial arts and I'm pleasantly surprised. Weaker than Rocky better than Warrior. Clint Eastwood steals the whole film for himself, again playing the typical curmudgeon as in Gran Torino and winning me over, Hillary Swank is surprisingly good, though I didn't cheer or scream extra in the fights, and the ending is a bit too far-fetched; strong but surprisingly, it left me cold. I had fun. 80%
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A film that impressed me. First and foremost, it's not just a film about boxing, but about a person. As for Hilary Swank, she delivers the best performance I have seen in a very long time, and quite possibly the best female performance ever. Clint Eastwood directs again with his classic style. The film is accompanied by minimal music and takes place in suggestively raw environments, whether it be gloomy corners of hospital rooms or a dark gym. All of this creates an indescribable and unique atmosphere, even though it has a practically ordinary and sometimes predictable screenplay. For me, unequivocally the best film of the year.
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Million Dollar Baby is first and foremost a film that can mount real and infinitely varied human emotions onto a self-servingly moving and academically focused story. A hypnotic and intimate film where there is no talking, only listening in humility to a trio of diverse characters, carved by their own cruel pasts and mutual encounters, who for two hours become inseparable heralds of life's joys, hardships and deepest sorrow. It's not a film about boxing, it's a film about life – how it is understood by people who have been through something and know what is worth working, sweating, breathing and sinning for. We should listen to it. 95%
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I've had this film sitting on my shelf for a long time and I don't regret "dusting off the wrapper" and watching it. It's a powerful film with considerable depth that left me gasping at the beginning and then knocked me down with a boxing glove and I couldn't get up until the end. The acting is more than convincing, Morgan Freeman deserved the Oscar, and Hilary Swank would probably be second only to Kate Winslet for Eternal Sunshine of the Spotless Mind for me, she took her role seriously and I believed her. The plot is well constructed, and it's well complemented by the music and the supporting actors (Jay Baruchel, Margo Martindale). The plot is good and the ending, though partly predictable, is still well handled. In short, one of those films that I'll probably only watch once, but even after that one viewing, it will stay deep in my mind.
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Annonces