Réalisation:
Sam MendesScénario:
William Broyles Jr.Photographie:
Roger DeakinsMusique:
Thomas NewmanActeurs·trices:
Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Chris Cooper, Dennis Haysbert, Kevin Foster, Lucas Black, Laz Alonso, Rini Bell, James Morrison (plus)VOD (4)
Résumés(1)
Eté 1990. Anthony Swofford, fils et petit-fils de militaires, vient tout juste de fêter son vingtième anniversaire lorsqu'il est envoyé dans le désert saoudien. La Guerre du Golfe vient d'éclater, son bataillon de Marines est parmi les premiers à se déployer dans cette aride et immense étendue de sable. Pour ces jeunes déracinés, gavés d'images et de phraséologie guerrières, ivres de rock et de bière, commence alors la longue et dérisoire attente d'un ennemi fantôme. La soif, la peur, l'épuisement, l'ennui, les frustrations lancinantes, les tensions extrêmes s'additionnent dans un climat de plus en plus délétère et explosif. Dans cet enfer naîtront pourtant de surprenantes et inaltérables amitiés entre compagnons d'armes liés par le vieux serment des Marines. (texte officiel du distributeur)
(plus)Vidéo (3)
Critiques (14)
Une déclaration de guerre amusante et singulière, sans scènes glaciales ni de guerre, mais très cool ? Oui ! Sam Mendes est au-dessus de tout ça, il crée de manière originale une atmosphère dense du désert et documente sans sentimentalisme ni fluctuations émotionnelles les dépressions des marins qui, au lieu de réaliser leurs rêves typiquement américains, n'ont connu que des pertes dans leur vie. Un film remarquablement détendu sur des sujets troublants.
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Serious perspectives of war as hell on earth abound throughout cinema. It's a bit harder to find lighter funny satires. Yet is it worthwhile to look at war without a drop of sentimentality and still maintain a sarcastic tone about how "war is an asshole" even when it's boring? Sam Mendes has undergone a genre metamorphosis and instead of family crises, he observes the negative effects of combat conflict on individuals without firing a single shot. Right from the introduction to when they are at the military staging area, which in a way paraphrases Kubrick's Full Metal Jacket, through the uncompromising pouring of ideology into the brains of the soldiers, when it is necessary to declare to the public forever how important it is to fight for one's country, to the (non)encounter with the enemy itself. In this case they are not the Iraqi troops, but rather one's own frustration from unreasonable boredom and endless waiting. When Swofford thinks of his girlfriend, the viewer is tempted to go and pat him sympathetically on the back; when he cleans latrines as punishment, we prefer to turn away. And when the sky turns black and oil rain starts falling from the sky, everyone has to realize that things can't get any worse. Then memories of encounters with a lone horse or a column of Humvees wandering through the desert come to mind and we want to praise cameraman Roger Deakins. Finally, any Foxx - Gyllenhaal debate tells us that the current generation of actors has its aces. And I'm beginning to think that going to war wasn't the happiest decision I’ve ever made.
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Join up! Uncle Sam wants you! You’ll have a great time with us, get to do some shooting, kill some non-American bastards, protect your country and three meals a day... Or not? Boredom in the desert or Sam Mendes’ third attempt. And again it’s something completely different from his previous movies. This time he brings us a provocative and raw insight into the life of a young marine during the Gulf War. First he undergoes training and then, keen to fight, he is posted to a war where nothing happens and the action he was dreaming about never comes, and all he does is stand on watch amongst sand dunes, waiting and waiting... And waiting. The movie is more a patchwork of individual scenes (especially the one when the soldiers are watching Apocalypse Now I can’t shake out of my head, like many other scenes too), but despite that, or maybe because of that, the movie is really powerful. And we get good elephant doses of sarcasm and satire. In technical terms it is precise (that’s right, the camerawork is almost unreal; the scene with the horse in the middle of the burning oil fields is the peak of perfection), as is the soundtrack. Every one of the actors is great, as they tend to be in Mendes’ movies. Mendes’ directing is again flawless, inventive and seething with ideas. And Jake “Donnie Darko" Gyllenhaal is a chapter in himself, proving again that he is one of the biggest talents of contemporary transatlantic cinema. This picture of boredom in the middle of a modern military conflict and the impact it leaves on its protagonists is even more interesting and chilling because the movie manages to impart this feeling to the viewer too.
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A very weak, uninteresting, tedious, visually repulsive non-action war drama with my favourites Jake Gyllenhaal and Jamie Foxx. I was entertained for barely half an hour with the fine training of the marines, after which I yawned and fumbled my way through to the end and happily deleted the film from the disc. I probably missed the American pathos here. Lone Survivor and American Sniper are so much better. 40%.
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I’m thrilled. A slightly different, but no less interesting view of military conflict, which goes the way of depicting the feelings and frustrations that must be experienced by guys trained in elite units only to cover the backs of their colleagues deployed directly in the heat of war. We see their eagerness to fight in the scene where they chant and scream with enthusiasm during a screening of the bombing of a Vietnamese village in Coppola's Apocalypse Now, just as I felt first-hand the frustration of one of the characters at not being able to take part in "it". The impressive scene when, with desperation in his eyes, he begs his superior to shoot at least one soldier, has more power and meaning than half an hour of uninterrupted action. When the protagonist vomits among the charred bodies, the more perceptive viewer will shudder. The apocalyptic image with a horse, greasy with oil all over its body, and the burning oil wells glowing into the darkness in the distance, takes on a kind of mystical beauty thanks to the evocative cinematography. Jake Gyllenhaal continues to grow as an actor and delivers a terrific performance (an Oscar nomination would be fitting), with the reliable Jamie Fox backing him up. Not since Russell's Three Kings has there been such a cool war-themed movie.
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Annonces