Réalisation:
Sylvester StalloneScénario:
Sylvester StallonePhotographie:
Clark MathisMusique:
Bill ContiActeurs·trices:
Sylvester Stallone, Tony Burton, Milo Ventimiglia, Burt Young, Antonio Tarver, Talia Shire (i.a.), Geraldine Hughes, Pedro Lovell, Frank Stallone (plus)VOD (5)
Résumés(1)
Rocky Balboa, le légendaire boxeur, a depuis longtemps quitté le ring. De ses succès, il ne reste plus que des histoires qu'il raconte aux clients de son restaurant. La mort de son épouse lui pèse chaque jour et son fils ne vient jamais le voir. Le champion d'aujourd'hui s'appelle Mason Dixon, et tout le monde s'accorde à le définir comme un tueur sans élégance ni coeur. Alors que les promoteurs lui cherchent désespérément un adversaire à sa taille, la légende de Rocky refait surface. L'idée d'opposer deux écoles, deux époques et deux titans aussi différents enflamme tout le monde. Pour Balboa, c'est l'occasion de ranimer les braises d'une passion qui ne l'a jamais quitté. L'esprit d'un champion ne meurt jamais... (texte officiel du distributeur)
(plus)Vidéo (3)
Critiques (10)
Film senilne simple, mais agréablement sincère et modeste sur un boxeur vieillissant qui a encore beaucoup à dire non seulement avec ses poings durs. Le prélude du film est un peu étiré et le point culminant au contraire précipité, mais la nostalgie a son poids indiscutable de sympathie, qui repasse beaucoup de choses. Sly Stallone a réussi la même chose que son héros - il n'a pas eu un grand comeback, mais il s'est défendu dignement.
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I liked the slightly grim humor and the nice old-fashioned mentoring tone that carries the film most of the time. I hope the Italian Stallion does not get mad at me, but the last match sucks. It lacked clear motivation, enthusiasm, a strong opponent and some reasonable resolution - it hangs at the end of the film just for show. Until then, Rocky's last adventure has all the attributes that made the first film famous (although they are somewhat shabby now)... it focuses more on simpler but catchy psychology and on Stallone's still functional two-sided acting. I enjoyed it, but I consider a boxing film which does not wow me with the final fight to be slightly weak.
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The last (I hope) Rocky doesn't surprise with anything, the story is again simple and straightforward, with a pinch of combat adrenaline, and life wisdoms that sound out of Harlequin books, some of which caressed the soul. Rocky's final farewell to the audience in the boxing ring (and symbolically, Sly's farewell to this character, which suddenly catapulted him to the cinematic Olympus) left me surprisingly cold, but there’s no denying that it is a worthy farewell. Mainly because there is no lack of insight, Stallone faces the advancing years head on and occasionally throws down some nice and funny lines. In short, Sly made me happy. The film is worth 3 stars, the fourth one is thrown in for nostalgia’s sake, which Sly enlivened with several functional short flashbacks. And why not admit it, I have a soft spot for this hard-working "Italian Stallion".
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A disheveled and grinning Sylvester Stallone wanders around Philadelphia, giving advice to everyone around him while being unsure of himself. I would take that as a light prologue to the appealing boxing finish with enthusiasm, but when he talks, advises, and looks sad for two-thirds of the movie, it becomes boring. It's not unwatchable, but still a bit unnecessary because as soon as Rocky returns to training, runs up the stairs and enters the arena, adrenaline, tension, and cheering are also there. The fight against Dixon is incredibly well shot, but it really bothers me that the champion's actor is skinny and lacks the typical muscularity of a boxer, so I can't maintain a serious face when talking about "heavyweight". On the other hand, I can forgive many things without words because I really wanted Stallone to succeed and thanked him for not letting the series end in miserable waters in his old age.
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The idea of the whole movie is a little far fetched, but it has its interesting points. You can’t help feeling a certain trepidation. However, from the very beginning it’s clear that their trepidation is unfounded. All the sentimental roaming around Philadelphia, his long contemplation, looking back on life, telling time-proven truths all seem sincere. It is a very personal picture that Sly put his “heart" into and that makes it all the more endearing. In fact, this is evident to the point that almost nobody will see anybody else than him himself in the role of Rocky. What significantly damages the movie is the boxing match itself. For one thing, it seems somehow superfluous here, it’s shot strangely, lacks energy and is overall uninteresting. Which, in view of the fact that it takes up the whole last third of the playing time, is displeasing. But the worst thing are the final credits. They are indescribable hell. Even so, meeting up with Rocky Balboa at the beginning of the autumn of his life isn’t boring, it’s old-fogey agreeable and surprisingly not at all ridiculous. If I were Stallone I would leave my boxing gloves hanging on their hook from now on. After all those years of service they have earned a good rest.
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Annonces