Réalisation:
Michael DavisScénario:
Michael DavisPhotographie:
Peter PauMusique:
Paul HaslingerActeurs·trices:
Clive Owen, Monica Bellucci, Paul Giamatti, Stephen McHattie, Greg Bryk, Daniel Pilon, Mike Dopud, Julian Richings, Stephen R. Hart, Dean Copkov (plus)VOD (1)
Résumés(1)
Smith n'aurait jamais dû se trouver là et pourtant, en pleine fusillade, il aide un enfant à naître et le sauve d'une bande de tueurs. Lui, sombre et violent, se retrouve à protéger l'être le plus innocent qui soit. Le nouveau-né est la cible d'une puissance mystérieuse décidée à effacer toute trace de son existence grâce au redoutable Hertz et à son armée d'assassins. Alors que les affrontements sont de plus en plus meurtriers, Smith ne peut compter que sur lui-même et sur DQ, une prostituée, pour sauver le petit. Le couple doit tenter de percer le secret de l'enfant en restant du bon côté des balles... (Metropolitan FilmExport)
(plus)Critiques (7)
Heureusement aussi amusant que stupide. Profitant de l'action non-stop et divertissante de Woo's Hard Boiled pour les fans inconditionnels des années 80 et des classiques rock. J'ai été plus impressionné par Paul Oakenfold dans la scène avec les voitures et les combats sur la route. Il est intéressant de voir à quel point Clive Owen répète le même personnage dans un film aussi différent, comme il l'a fait dans Children of Men, où il excelle également.
()
Le principal avantage de ce film réside dans la promotion de la carotte en tant qu’aliment sain. C’est grâce à cette prise de conscience et aux faits que j’aime beaucoup Clive Owen et que Paul Giamatti est vraiment un bon acteur que ce film évitera la note « Navet ! ». Parce qu’à part ça, je n’y vois pas la moindre trace de qualité. Le scénario semble avoir été écrit par un ado de douze ans, et encore, un qui aurait perdu un boulon. Les dialogues sont absolument horribles, toutes les répliques sont pathétiques à en pleurer, les scènes d’action sont ringardes et, pour la contribution de cette œuvre au cinéma mondial, ou même ne fût-ce qu’au cinéma d'action, n’en parlons même pas ! Ça me désole de voir apparaître Clive Owen dans un tel navet – s’il continue comme ça, sa meilleure performance restera la pub de vingt secondes pour l’eau de parfum Hypnôse de Lancôme ! Et pourquoi cette exagération m’a-t-elle tant dérangé cette fois-ci par rapport à un film tel que, par exemple, Le Transporteur ? Parce que de la part de Jason Statham, on ne peut probablement pas s’attendre à plus, tandis que de Clive Owen, j’attendais vraiment autre chose !
()
I really enjoyed this. Stylish, but above all a parody, very much a parody. Awash with testosterone to the point that it can't be taken seriously for even a split second. It flies in all directions, sometimes toward Bond, other times toward Tarantino. I had fun, and except for a few cardboard scenes, the film is energetic and has a contagious appeal. Owen with carrots = love it. This film was made so you could turn off your brain and enjoy yourself. As stupid as MOTORHEAD hits and just as catchy. Fuck off fucking fuckers!
()
Load your guns, take a bite of carrots, undo the lids, and let's set off with Smith. Just be careful of one important task: turn off your brain. That's a phrase that's annoying, overused, and almost hated by me, but there's no other way here. I haven't found such a brutally convoluted plot in an action movie yet. That's kind of how Crank was overdone, slightly crazy, and therefore infinitely enjoyable. Shoot 'Em Up is insane. Mostly entertaining, but occasionally unfortunately unbearable. It's partly because of Paul Giamatti's somewhat boring immortality, Clive Owen's invincibility, and especially Monica Bellucci's bursting appeal, which compels you to dig your nails into the armrest and pray for more carrots with every adorable line. When Owen looks mean and starts wreaking havoc with any weapon he finds, there's something to watch. It just needed a tangled, thorough final scene. Like this, I'll happily discuss some successful sparks or adrenaline-raising banter between the villain and the hero, but none of it will stay with me for long. Although I must admit that expecting a lot from the movie here was my mistake alone.
()
They say never overstep the mark. And in Shoot ‘Em Up they clearly forgot about this saying. Michael Davis had good intentions, but wasn’t able to get more out of them than slightly above average. And that’s mainly thanks to great actors, great wisecracks and new, original ideas. Maybe if someone else had filmed his screenplay. Maybe... I dunno... Mike Bay? :)
()
This film is a brilliant showcase of the current state of the middle-of-the-road commercial mainstream of Hollywood's wannabe cool modern production, and I wouldn't hesitate to say that it's pretty shitty. The film is full of cool quotes, the action is even more action-packed, the biggest tough guy is even tougher, and the sex bombs are even sexier (which is actually the only thing that didn’t bother me). If this mess was supposed to directly parody or imitate some famous films of the past, it failed. You won't see anything more stupid in the cinema this year. I don't understand those star names, I don't understand the incredibly confusing and bad action scenes, I don't understand this whole garbage wannabe stylish action flick. It might make you laugh at times, but certainly not in the right sense. A giant piece of crap.
()
"A bulletproof vest is a better investment than a cradle." It’s quite action-packed with an interesting villain, but not interestingly written or played. Paul Giamatti is just great. Clive Owen fits into his role well, a good tough guy. There are interesting moments, yet sometimes it’s also quite sterile. It's not as entertaining as it appears, but it occasionally grabs the viewer with its action sequences. I'm giving out some very high ratings today. Actually, no. For those poor special effects, I can only give it an average rating.
()
Annonces