Réalisation:
Doug LimanPhotographie:
Barry PetersonMusique:
John PowellActeurs·trices:
Hayden Christensen, Jamie Bell, Rachel Bilson, Samuel L. Jackson, Diane Lane, Michael Rooker, AnnaSophia Robb, Max Thieriot, Jesse James, Tom Hulce (plus)VOD (3)
Résumés(1)
Depuis qu'il a découvert qu'il pouvait se téléporter n'importe où sur terre, le monde n'a plus de limite pour David Rice. grâce à son pouvoir, il peut déjeuner en Egypte sur la tête du Sphinx, passer la journée à faire du surf en Australie, dîner à Paris et prendre le dessert au Japon. Les murs ne l'arrêtent plus et aucun coffre de banque ne lui résiste. Libre comme personne, David vit dans l'insouciance la plus totale, jusqu'à ce que... (texte officiel du distributeur)
(plus)Critiques (9)
Une ânerie complètement insignifiante. Comme si j'avais regardé pendant une heure et demie un bel aquarium arrangé sans poissons. L'idée n'est même pas achevée à mi-chemin et la prétendue coolitude commence et se termine avec la coiffure de Samuel L. Jackson. Inapproprié pour les spectateurs de plus de 18 ans.
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Un film d’action et de science-fiction plutôt moyen qui a quelques points positifs : Jamie Bell, une conclusion très honnête, une starlette de Newport Beach et une séquence à Rome. Et à peu près le même nombre de points négatifs : un scénario faiblard, Hayden Christensen, les cheveux de Samuel Jackson, le segment narratif avec la mère et le manque d’action. L’un dans l’autre, on tombe pile-poil dans la moyenne. Il est vrai que dans le genre, on a vu pire.
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The script was probably written according to the manual "How to write an 80-minute plot without breaking a sweat," and Hayden's a one-dimensional wooden actor. A very weak result for Doug Liman, short and rather dull silly stuff for MTV kids out of school. Thanks at least for Jamie Bell, who brought some adrenaline and dynamism to the story and compared to the bland Christensen looks like a rhododendron next to a dead cactus.
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At fifteen, I would have jumped for joy at a film like this all over the world, but five years later, I mourn the screenwriting dementia that turned a divine book into a shallow fairy tale for little kids. It lacks fatefulness, urgency, proper characters, dynamism, action, and, above all, style. Liman searches for it in vain for eighty minutes and fails to do so even in the final CGI ridiculousness. It's too bad he made this crap - any dunce working in advertising could have created the same thing.
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"...and so I jumped for the first time...." But what came out of it? For adventure-seeking teenagers, it was definitely a delightful experience and a fulfilled dream, but for others, it was a slightly hesitant breather with forever young Hayden Christensen, the adorable Rachel Bilson, and the reliable Samuel L. Jackson. And unfortunately, also with unfinished, or rather just lightly touched upon mythology (see the story of the Paladin hunter, which ends almost before it begins). I admit that I enjoyed it because the weak half an hour and a half flies by very quickly, and with a bunch of money, Doug Liman managed to make it in a way that you can really tell, but judging from the hesitant box office results, I wasn't the only one who wasn't very bothered that there won't be a continuation.
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Current special effects technology is at such a level in the film industry that it allows practically anything to be filmed for a relatively decent amount of money. Jumper is an example of a film that relies on special effects scenes and quick editing. It reminds me either of a long music video of a rock band or a long advertisement for an adrenaline sport or an energy drink. It is exactly the kind of movie that teenagers between 13 and 15 years old will appreciate, but with each additional year, especially with a slightly more critical approach and higher demands, the experience fades away. It is a superficial spectacle where the characters lack any depth, and the storyline is so simple that even a ten-year-old child could have been hired instead of a screenwriter. Overall impression: 25% for the beautiful scenery. By the way, Hayden Christensen's performance is terrible...
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To tell the truth, the Jumper universe idea intrigued me from the moment I heard about it. A great topic, but the same doesn’t apply to the screenplay (and who knows, maybe not to the novel either). Plus, Liman’s central storyline falls apart in his hands, but I have no idea why. It’s as if got carried away with the historical monuments and the beautiful shots of exotic locations and I don’t wish to get into that dumbly constructed romantic storyline, but rather concentrate on the main reasons why this movie was made (I mean of course the “jumping" and the Paladins). The acting performances aren’t up to much either. It was like Christensen was playing a fifteen-year-old (either on purpose or he was just that bad, no matter), Rachel Bilson is just for decoration and Samuel L. Jackson should have shaved his head (he could at least command a little respect). I think that just Jamie Bell endured it all without serious damage to his (and my) soul. But enough criticism. The movie contains quite a lot of good scenes worth seeing and as a spring snack, Jumper is still pleasantly digestible. But if they’re planning a sequel, I strongly recommend trying a new screenwriter.
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It’s stupid and unbelievably simple, but a spontaneous trip to Rome, the lovely Rachel Bilson, an executive suite at the Boscolo Exedra hotel with a stunning view of the city, and first-class on the way there and back are attributes that really won me over. It's all about how you approach it. Jumper is a one-time watch, the theme is interesting, but the plot lacks depth. Technically brilliant and fast-paced. Quality editing is a given with Liman. I wouldn't criticize it that much. I enjoyed myself.
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"Jumper" is a movie whose title caught my attention when I first heard it. In 2003, I wrote a short story called "Skokan" ("Jumper" in English). When I was thinking about what it would be called in English, it would be exactly "Jumper." When I finally watched the movie, I found out that it was based on a slightly different source, which was written by Steven Gould in 1992. Hayden Christensen played a young man who can jump in space and move from place to place through teleportation. The idea is nice, but the execution is a bit worse. The film tries to be cool, so it is action-packed, Samuel L. Jackson has a great look, but that's where it ends. Once a stupid connection with faith is introduced, the film lacks any real meaning and it becomes just a fight between the powerful against the oppressed. The allegory, in this case, doesn't bring much. More: http://www.filmovy-denik.cz/2012/04/jumper-babel-kung-fu-divocina-miami.html
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