Réalisation:
Stefan RuzowitzkyScénario:
Stefan RuzowitzkyPhotographie:
Benedict NeuenfelsMusique:
Marius RuhlandActeurs·trices:
Karl Markovics, August Diehl, Devid Striesow, Martin Brambach, August Zirner, Sebastian Urzendowsky, Andreas Schmidt, Tilo Prückner, Veit Stübner (plus)VOD (1)
Résumés(1)
Berlin, 1936, Salomon «Sally» Sorowitsch est le roi des faussaires, expert en billets de banque. Juif trahi sous lʼAllemagne nazie, il est arrêté par la Gestapo et interné dans le camp de Mauthausen. Mais Sally est vite transféré dans un camp de première classe à Sachsenhausen. Il est accueilli par le commissaire Herzog, qui dirige ici une opération secrète. Les nazis souhaitent quʼil collabore à lʼOpération Bernhard : affaiblir lʼéconomie des alliés. Avec le soutien dʼexperts juifs triés sur le volet, Sorowitsch est désormais chargé dʼimprimer à grande échelle des devises étrangères. Si leur travail nʼest pas couronné de succès, les faux-monnayeurs seront exécutés. Il ne sʼagit plus de sauver sa peau à tout prix mais dʼinterroger sa conscience. (Rezo Films)
(plus)Critiques (4)
This is not an exceptional World War II film, specifically the concentration camps, but it is a very good film set in concentration camps. The Germans and Austrians handled the subject with sensitivity and authenticity, even though they are digging into their own past a bit. But they do it well and they remind us of a very interesting Nazi initiative.
()
Un drame intéressant sans héros clairement innocents, accentué par une musique d'accordéon que nous n'entendons généralement pas dans les camps de concentration cinématographiques. La qualité de l'exécution et de la direction des acteurs ne reste pas en dehors de l'attrait du sujet lui-même, ce qui fait de ce film une affaire incontournable à voir.
()
Many films about the Holocaust and the world of concentration camps during World War II have already been made, including big-budget, visually stunning horror shows, and audiences are already sufficiently satiated by such sights. Coming up with something new is difficult, but Stefan Ruzowitzky succeeded. If anything can be criticized about The Counterfeiters, it is the small, typically European budget that does not allow for any grandly filmed crowd scenes, panoramic shots, or visual orgies. It is a small film that relies on a strong story, interestingly outlined characters, quality acting, and, last but not least, the fact that it is based on a true event, and the creators faithfully stuck to reality. The story of a group of prisoners who produced counterfeit money at a Nazi extermination camp in strict isolation and maximum secrecy offers plenty of absurd moments, such as the class differences between a professional criminal and a banker who meet in the same cell to carry out a shared task of devaluing currency. An excellent move was not making the main protagonist an idealistic political prisoner, but a cynical member of the underworld trained to survive in extreme conditions, who has a very unique sense of honor. A strange psychological battle for survival and the most dignified reconciliation with their role in working for the Nazis unfolds between the counterfeiter Sorwitsch, the young communist sabotaging production, and the SS officer supervising the counterfeit workshop. Overall impression: 90%.
()
The Counterfeiters is an unconventional story from the concentration camps, which does not point (like many other similar films) to the mass murder of Jews in the gas chambers, and that is what makes this film special. We are offered a glimpse of a counterfeiting workshop located in the very heart of the evil snares of Nazi Germany, and we follow the developing psychology of the diverse characters. What is actually bad and what is good? And why not actually do something bad for its own sake? In short, a film that made me think (for the umpteenth time) about the sheer senselessness of World War II thanks to its rawness, great actors and music.
()