Réalisation:
Jean-Marc ValléePhotographie:
Yves BélangerActeurs·trices:
Matthew McConaughey, Jared Leto, Jennifer Garner, Steve Zahn, Denis O'Hare, Griffin Dunne, Kevin Rankin, James DuMont, Philippe Radelet (plus)VOD (3)
Résumés(1)
1986, Dallas, Texas, une histoire vraie. Ron Woodroof a 35 ans, des bottes, un Stetson, c'est un cow-boy, un vrai. Sa vie : sexe, drogue et rodéo. Tout bascule quand, diagnostiqué séropositif, il lui reste 30 jours à vivre. Révolté par l'impuissance du corps médical, il recourt à des traitements alternatifs non officiels. Au fil du temps, il rassemble d'autres malades en quête de guérison : le Dallas Buyers Club est né. Mais son succès gêne, Ron doit s'engager dans une bataille contre les laboratoires et les autorités fédérales. C'est son combat pour une nouvelle cause... et pour sa propre vie. (UGC Distribution)
(plus)Critiques (15)
Cinématographie américaine indépendante issue de la famille de Leaving Las Vegas ou Boys Don't Cry, basée sur un personnage outsider intéressant et son jeu brillant. Une expérience cinématographique captivante qui vous saisit et vous laisse dévorer chaque scène, explorant en détail la personnalité du protagoniste principal. La transformation de Ron Woodroof par McConaughey de redneck arrogant et machiste en combattant compréhensif et désespéré, mais persévérant pour sa vie, est pour moi l'étude de personnage la plus puissante de ces dernières années. Les créateurs du film sont modestes, minimalistes, ne comptant pas sur l'excentricité des acteurs ou des améliorations techniques et visuelles, se concentrant uniquement sur la narration avec les moyens les plus classiques. Une approche ouverte et sensible du sujet. Magnifiquement écrit et réalisé. Woodroof est moralement l'opposé exact de Jordan Belfort et je crains que Leonardo, contre Matthew, n'ait aucune chance aux Oscars.
()
Est-ce bien cet acteur qui faisait le séducteur dans Hanté par ses ex et l’avocat charismatique dans La Défense Lincoln et qui présentait dans la pub pour Dolce and Gabbana ? L’incroyable transformation de Matthew McConaughey et sa remarquable performance d’acteur le placent dans la cour des grands et il n’a pas à pâlir face à des légendes telles que Daniel Day-Lewis ! Par ailleurs, j’ai même l’impression qu’il doit être le seul à pouvoir jouer ce rôle de cette façon. Jared Leto mérite lui aussi des éloges pour avoir, grâce à son visage doux, pu incarner une aussi belle femme. Et, bien que je n’ai pas vu les autres nominés, il est évident pour moi que ces deux-là sont largement imbattables. C’est que je souhaite vraiment à Leonardo de recevoir la statue, mais à mon avis, ce ne sera pas encore pour cette fois. Personnellement, je me souviendrai de Dallas Buyers Club comme d’un chassé-croisé entre deux prestigieux acteurs dont les prestations sont parmi les meilleures que j’ai jamais vues. J’ai juste une réserve sur le film en tant que tel, à savoir sa longueur. S’il avait été une vingtaine de minutes plus court, ç’aurait été parfait. J'ai été impressionné par la première moitié, là où la deuxième ne lui rendait pas tout à fait justice. Donc normalement, je mettrais quatre étoiles, mais, encore une fois, au vu de la qualité exceptionnelle des prestations d’acteurs, j’en mettrai une de plus.
()
-Thank You. -Fuck off! Breaking Good? Not entirely. Dallas Buyers Club is surprisingly not an emotionally manipulative drama about the belated awakening of a homophobe. It is rather a sober film – in terms of both form and content – that instead of glorifying Woodroof, admits that this cowboy did not deserve any exaggerated compassion even after he contracted AIDS. The effort taken to not harp on the protagonist’s suffering and to simply depict him corresponds to the objectiveness of the form (filming without additional artificial lighting, documentary-style asymmetrical shot compositions, non-evocative use of music). If the film isn’t emotionally cold, that’s particularly due to the gaunt McConaughey, who lost approximately 20 kilos for his role as Woodroof. Even though he plays only a shadow of his heroes from other films, he never loses the sparkle in his eye. The way that he combines inordinate self-confidence, blatant impudence and admirable tenacity makes the protagonist an ideal campaigner against the (medical) establishment, which expects nothing more from its nemesis, who personifies the indomitable nature of American ambition, than the fact that he will soon die. Also fascinating especially for his physical transformation is Jared Leto, whose scenes with McConaughey are remotely reminiscent of Midnight Cowboy, another film that didn’t take itself too seriously and, on the other hand, neither revelled in its serious subject matter nor trivialised it. 75%
()
Considering that it’s an Oscar biopic about people fighting AIDS, Dallas Buyers Club is surprisingly vibrant, lively and not pathetic. Matthew McConaughey and Jared Leto are impressive.
()
Breaking good. This is an academic film that doesn't put the adjective in the "swear word" column, and it may thus appeal to a mainstream audience that appreciates a lead star in physical metamorphosis and anti-capitalist agitprop in smart mode. 4 ½.
()
This is actually some proper film-making craftsmanship. Matthew delivers an almost perfect acting performance and Jared Leto has no problems keeping up with him. They both play people infected with the HIV virus. But they don’t merely portray them, they truly experience the characters. Matthew is getting skinny right before our very eyes. And Jared, skinny as he already is, changes the color of his skin in a pretty scary manner. I tip my hat off to them for this. With Jared, I’m really fascinated by how far he is willing to go. Since he is a singer, I don’t think he can afford to change his body weight so radically. I’d really love to know whether this affected his musical career in any way. If nothing else, he proves what an actor he truly is. If I was on the Oscars committee, I would have a clear idea of whom to give the golden statues. Matthew proved in 2013 just what good an actor he is and Jared put on such a show that if I were to see him in another movie, I’d think that he’s crazy. But as I said… a tip of my hat. You will find the story repulsive at first, gradually, you will notice the changes in the way the characters act. And these individual moments will keep on piling up until you get to the ending and you will realize that you won’t get to see such radical a transformation in many movies.
()
How to live with HIV, not giving in to anyone or anything, cursing and going all out until the very end. Matthew McConaughey refuses to cry or laugh superficially and takes it head-on through all obstacles, even when it could be the last day of his life. And today could quite possibly be that last day. A sincere drama that is most lovable precisely because, just like the main character, it remains true to itself the entire time.
()
Ron Woodroof is a worker and a rodeo fan, but above all, a lover of life who knows how to enjoy it and doesn't deny himself anything. Drugs are easily available, the alcohol flows freely, and the girls who hover around the rodeo riders are usually willing to spend a pleasant moment in a trailer, entertaining their admirers and dispelling boredom. It's the early 80s, the time of the oil shocks, the bitterness of the Vietnam defeat, and civil activism are gone. The era of Reaganomics, yuppies, and newfound confidence has arrived. Nothing is impossible, and the motto of the day is fun. Like a bolt out of the blue, the news of Ron's AIDS diagnosis hits him after an injury. According to the doctors' experience, he has only 30 days left to live. His previous lifestyle and all the values he held dear are suddenly gone. But instead of passively waiting for death, he decides to fight it. Not only with the disease but also with the system that dislikes those who stand out and seek alternative paths. Ron becomes an advocate for unapproved treatment methods and unauthorized drugs. The initial 30 days turn into hundreds and then many years. The approach to AIDS changes, society changes, and the hero of the story changes too. From a southern roughneck and homophobic man, he becomes someone who understands the necessity of tolerance and can navigate among members of sexual minorities. Dallas Buyers Club is a drama based on a powerful story and a controversial, unforgettable main character. I would say that by choosing the unpleasant theme of human suffering and death, an unattractive storytelling style (sentimentality could have been used more prominently or cynical black humor), and above all, the performances of Matthew McConaughey and Jared Leto in the main and supporting male roles, Dallas Buyers Club ranks among the most significant films of the season. I have heard it said about American actors that they are willing to undergo practically anything for the sake of a role and reputation, and McConaughey proves that this is true. From a pretty boy who recently charmed in romantic comedies, he has transformed into a walking advertisement for a crematorium, where you could count every rib on his chest on the spot, and whose determined eyes still blaze from his gaunt face marked by stress. This is, without exaggeration, an outstanding acting performance worthy of an Oscar. Overall impression: 90%.
()
Matthew is on damn good form and he’s delicious in this winning movie. We’ve seen the topic of AIDS and struggling against villainous corporations (“Fuckin’ FDA") many times before, but I can’t remember that it’s ever been served up with such style before. The life that his sickness brings with it is surprisingly fuller and more interesting - after all, he went to Japan and founded a fairly successful business. In terms of acting, this is top league on top form, Jared Leto was more convincing as a woman than as a man! It’s for personal consumption.
()
Academics and the majority of people were once again fooled by the placebo, similarly to some of the patients in this film. The serious existential theme darkened their minds and for two hours, the classic standards of cinema ceased to function, meaning that what we usually see as bad in other films does not exist here. This film is small, modest, and undoubtedly serious and alarming in its theme, forcing us to reflect. However, besides brilliant performances, the witty dialogues, and the excellent costumes, there is nothing so revolutionary about it that would justify treating it as the film of the year. Ultimately, it doesn't say that much, though it should also be noted that it doesn't impose or force anything. So, as a historical reconstruction it’s okay, but it falls far from being a captivating film. I wasn't thrilled; I was satisfied, without being extremely enriched.
()
It's basically just another entry in a long line of biopics about an individual's struggle against the rest of society, which also rather lacks a greater sympathy for the contradictory and sinful main character. However, the sly McConaughey gives a wonderful performance that is so convincing and chilling in its scope and detail that it alone secures the film's status as a thought-provoking and noble tale. And he’s strongly supported by Jared Leto, who looks absolutely terrible, but no other actor today could probably portray his difficult role so impressively. A small actor's film that has its value at first, but watching it again seems as pointless as forcing Keira Knightley to start eating meat.)) Also, Jennifer Garner is so cute! 75%
()
Dallas Buyers Club is a film whose main pillars are the subject based on a true story and very good performances of both leading actors, Matthew McConaughey and Jared Leto. Both of them have taken their roles conscientiously and their performances are convincing, so I am not at all surprised that both of them got the Academy Award. I must also commend the work of the make-up artists, who did an excellent job. I was slightly bored at a few moments, but otherwise the plot was very tight and consistent
()
A very intense film about people with an expired warranty and how the state treats them. As I have first-hand experience with this subject, it is very close to my heart and the writer and director have handled it really well. I'm pleased to see that Matthew McConaughey, after all the disasters he's been in, is back to proper acting, further exemplified by True Detective. An excellent film with a very depressing atmosphere and no unnecessary melodrama. Exactly what I needed.
()
It's definitely an interesting topic, showing that there are many powerful stories based on real events that can be made into films. Matthew McConaughey completely immersed himself in the role, becoming a walking skeleton from a healthy man. But his mastery isn't just in what he sacrificed; it's in what he delivers. Jared Leto supports him excellently, sometimes even coming to the forefront. Surprisingly, even Jennifer Garner doesn't spoil it, which is also because I like her. It's possible to make an interesting film about AIDS that isn't overly sentimental and can be compelling. I don't know if charm is the right word. This film definitely has power.
()
Before I saw this film, I had heard nothing but praise for it, so my expectations were quite high. I was a bit scared at the beginning. For the first ten minutes, I was almost disgusted by both the events and the appearance of the main characters. However, shortly after, I was already caught up in the thrilling cinematic ride, based on real events, during which I didn't have time to be bored, and I simply enjoyed a brilliant acting performance by Matthew McConaughey and Jared Leto in their unforgettable roles as HIV-positive individuals. Moreover, it's presented without unnecessary sentimentality, for which I applaud and thank the creators. Even without that, I ended up shedding a tear.
()
Annonces