Réalisation:
José PadilhaPhotographie:
Lula CarvalhoMusique:
Pedro BromfmanActeurs·trices:
Wagner Moura, André Ramiro, Caio Junqueira, Milhem Cortaz, Fernanda Machado, Maria Ribeiro, Paulo Vilela, Fernanda de Freitas, Fábio Lago, Otto Jr. (plus)Résumés(1)
1997. Les milices armées liées au trafic de drogue contrôlent les favelas de Rio. Rongée par la corruption, la police n'intervient plus sur le terrain. Les forces d'élite du BOPE (Bataillon des opérations spéciales de police) sont livrées à elles-mêmes dans leur lutte sans merci contre les trafiquants. Mais le maintien de l'ordre a un prix : il est de plus en plus difficile de distinguer le bien du mal, de faire la différence entre l'exigence de justice et le désir de vengeance.
Le Capitaine du BOPE Nascimento est en pleine crise : en plus de risquer sa vie sur le terrain, il doit choisir et former son successeur, dans l'espoir de quitter cette vie de violence et de rester auprès de son épouse, qui s'apprête à donner naissance à leur premier enfant. Neto et Matias, deux de ses recrues les plus récentes, sont amis d'enfance : l'un est un as de la gâchette, l'autre refuse de transiger sur ses idéaux. A eux deux, ils seraient parfaits pour le poste. Séparément, il n'est pas sûr qu'ils puissent s'en tirer vivants...
(texte officiel du distributeur)
Vidéo (2)
Critiques (10)
Vu dans le cadre du « Challenge Tour 2015 : 30 jours de cinéma mondial ». Film numéro 4 – Brésil. Après la déception islandaise, je devais me remettre en appétit et j’ai donc joué la sécurité. Ça faisait longtemps que je voulais regarder Troupe d’élite et, grâce au Tour, j’ai enfin pu le voir. Une histoire dure qui se passe à Rio et qui nous offre un regard non filtré sur la réalité quotidienne, une réalité dans laquelle on ne compte plus les drogués, les blessés et les morts. Wagner Moura est exceptionnel dans son rôle. Grâce au Tour, j’ai également la possibilité de méditer sur les pays dans lesquels j’aimerais aller jeter un coup d’œil, éventuellement vivre pendant un certain temps. En ce qui concerne le Brésil et, en particulier, Rio, la deuxième option est d’office abandonnée et la première n’est pas à l’ordre du jour (ni pour aujourd’hui ni pour demain).
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Every couple of years me and some Brazilian movie’s paths cross. And every couple of years it’s a movie that is only hard to forget. This year Tropa de Elite was released. A picture that went perhaps too far in terms of authenticity and intensity of experience. The type of movie that you wouldn’t expect from a western production. Each part is about something else a little differently. Power abusing special units, corrupt police, a hopeless social situation in the slums, politics, the system, society and unit training. All of this throughout the movie will drain you to the core, something that is amply helped by the à la Greengrass documentary style. Despite all the strong aspects of the movie, especially in the second half is the best (or worst, depending) thing about it is Matias’ transformation. It sends shivers down the spine. The negatives here are just purely personal things. Like for instance, Matias’ glasses seem a little out of place in the elite unit, and also the fact that the unit members didn’t cover their faces (EDIT a little later: after watching the documentaries Favela Rising and Bus 174, I take these naive objections back). It’s a powerful movie. Even exceptional. But in no way “nice". Good? Bad? Oh come on, those are long since obsolete terms. No hope, no illusions, no good feelings; pure depression. That is what Tropa de Elite will leave behind in you. For a long, long time.
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If the entire film was only about the training of the new members of the “elite squad”, the only thing that would bother me would be the ideological aftertaste left by almost every scene. But Elite Squad has many more things that bothered me: there isn’t a lot of action, and when there is some, it’s not very clear, half the scenes are pointless, the subplots are uninteresting, the script goes nowhere and there are many ugly male characters that (other than the main trio) I could never tell apart. To tell you the truth, after half an hour I was already looking forward to the end (and I kept on looking forward until the end).
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Rio de Janeiro is full of pissed off drug dealers and gangs, and they must be taken off the streets before the Pope comes to visit. The elite BOPA unit will be happy to do the job. A very impressive and well shot action drama about how life in Brazil is far from idyllic. But this audiovisual and atmospheric banger has a problem with perhaps too radical ideas in the script.
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I did not find any exorbitant political incorrectness in Elite Squad. The film provides no instant solutions to a sad situation, nothing gives hope, and if it does provide something, then it is a rather appalling picture of decaying justice and its humiliated servants. Personally, I was quite convinced by invectives toward left-wing intellectuals from good families, and I was able to identify with Captain Nascimento's views, although the depicted effects of the Crusades on justice evoke appalling feelings. What I really like about the film and find healthily provocative is the fact that the operation in the slums is initiated by the Pope's visit. This strange virtual detachment of civilization from the devastated world of slums and the effort to seek in it a kind of nobility of poverty contrasts well with the aspect of the glued and formatted "black" brains from BOPE. We can argue about where the truth is, but the fact remains that Padilha does not offer any. And if it is on the side of brutality of the men of the law, from my point of view, it does so because a) I am able to identify with it, b) even if I did not identify with it, it is still an aspect I want to know about. BTW, the film is technically brilliant.
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Annonces