Réalisation:
Richard CurtisScénario:
Richard CurtisPhotographie:
Danny CohenActeurs·trices:
Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Tom Sturridge, Chris O'Dowd, Ralph Brown, Jack Davenport (plus)VOD (4)
Résumés(1)
En 1966, en plein âge d'or de la pop britannique, la BBC ne diffusait en tout et pour tout que deux heures de rock par semaine. Cependant, une radio pirate émettait du rock et de la pop depuis la haute mer 24 heures sur 24, rassemblant chaque jour plus de 25 millions d'auditeurs - plus de la moitié de la population de la Grande-Bretagne... (StudioCanal)
(plus)Vidéo (5)
Critiques (10)
Comment ça alors? Meilleure finale que Titanic :-) Dans le film, plus précisément en ce qui concerne les personnages auxquels il est consacré, on sent qu'il y avait beaucoup plus de matériel tourné que ce qui a été inclus dans le montage final. Cela ne change rien au fait que c'est un morceau avec lequel (et avec ses héros) vous vous sentez vraiment bien. Il n'y avait rien d'autre ici et je n'ai pas besoin de plus.
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After the for me quite annoying Love Actually, Richard Curtis moves considerably closer to my taste, but he’s still not all the way there. The Boat That Rocked is an easygoing film, you can switch yourself off, swim among the sounds of nice songs for 129 minutes and never think of it again, because the story has nothing to remember. In short, a nice snack with a perfect cast. 7/10
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I see it as a patchwork of scenes, with a very fluctuating level of wit, rather than as an whole film. Curtis defines himself in the screenwriter column, but as a director with scissors in hand, he cruelly overreached. He doesn't even have time to introduce, let alone develop, this parade of exhibition exotics, and if it weren't for the cast, who carry the film mainly with their eccentricity and charisma, this would have been a failure on all fronts. If they make it into a three-hour S.E. Cut or a straight six-part series for TV, I’ll give it full stars. They way it is now, it’s a desperately boring two hours.
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Funny and nice bubblegum about the golden sixties, which inadvertently depicts the revolutionary era so correctly and ironically that it brings itself down. Over time, Curtis falls into a stereotype and the repainted visual serves the symbols of the 1960s completely devoid of any provocativeness and sex appeal. Nevertheless, excellent actors and a great soundtrack keep this ship afloat, although the bloated finale is noticeably embarrassing [70%]
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The Movie That Rocked... Love, Actually put you in a good mood through love, Christmas and relationships. The Boat That Rocked did the same (equal quality, even funnier, but less touching for obvious reasons) through sex, drugs and rock’n’roll. It also applies that Curtis could objectively be faulted for a lot of other things. It’s just that, the same as with Love, Actually any objections are swept away in that “feel good" tsunami. And yes, the vast majority of characters are just like Billy Mack, but damn, that doesn’t matter one bit, does it? In addition to this, extensive and wonderful use is made of Morricone, along with the rest of the absolutely marvelously chosen rock hits of that era. P.S.: Toward the end we see significant curtailment (primarily of Branagh’s storyline), but I hope that the DVD will include extras with cut scenes like we got with Curtis’ previous offering - this movie deserves it.
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Photos (89)
Photo © Universal Pictures
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