Réalisation:
Sherry HormannScénario:
Sherry HormannPhotographie:
Ken KelschMusique:
Martin TodsharowActeurs·trices:
Liya Kebede, Sally Hawkins, Meera Syal, Lucrezia Phantazia, Craig Parkinson, Timothy Spall, Prashant Prabhakar, Anthony Mackie, Tim Seyfi (plus)VOD (1)
Résumés(1)
Issue d'une famille de nomades somaliens, Waris connaît une enfance rude mais heureuse car entourée des siens. Mais quand son père décide de la marier à l'âge de 13 ans, Waris prend la fuite. Traversant le désert au péril de sa vie, elle atteint la ville de Mogadiscio et retrouve sa grand-mère. Cette dernière lui fait quitter le pays en lui trouvant un poste de "bonne à tout faire" à l'ambassade de Somalie à Londres. Waris y travaille pendant 6 ans, telle une esclave, totalement recluse et coupée du monde extérieur. Quand la guerre civile éclate en Somalie, l'ambassade ferme. Waris se retrouve livrée à elle-même dans les rues de Londres, ne sachant pas un mot d'anglais. C'est alors qu'elle rencontre Marilyn avec qui elle se lie d'amitié. Cette jeune femme, délurée et originale, l'héberge et l'aide à trouver un emploi. Travaillant dans un fast food, Waris est remarquée par un célèbre photographe de mode. Grâce à lui, elle rejoint une agence de mannequins. Malgré de nombreuses péripéties, elle devient rapidement l'un des plus grands top model international... (BAC Films)
(plus)Critiques (5)
It’s the kind of biopic that you have to see because it is about the life around us compared to the life in Africa. Obviously, the authors didn’t disappoint and all the way from casting to the screenplay they put everything they had into the craft of cinematography. An interesting story about a very interesting personality of contemporary world.
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A story that is huge and scary and, unfortunately, true. I'm a fan of this film, mostly because it reveals a different slice of reality. I admire Waris Dirie endlessly and can't imagine the pain she must have gone through. A lot of emotion, pain, and fear came out of the film. Still, I think a story like this might have deserved better execution.
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I do not share the enthusiastic reception of the film, which is influenced both by the undeniable charm of Liya Kebede and by the sentimental story of how a poor girl from distant Somalia found happiness. In my opinion, the film lacks depth and an attempt to comprehensively examine the problems of third-world poverty and female genital mutilation. It allows the viewer to be shocked by the contrast between life in the drought-affected area of Africa and the consumerist gluttony of London, as well as the suffering of a girl forced to undergo female genital mutilation at a young age. However, it is all diluted by the fact that the rise of the heroine is made possible by the advertising and fashion industry, which are symbols of consumerism themselves. Of course, such a rise is only possible for a few chosen ones, and while the viewer is comforted by the happy ending, it does not change the fate of millions of other girls who do not have the necessary appearance. And I'm not even talking about the problem of female genital mutilation, because the film has no chance of influencing public opinion in countries where it is practiced. It lacks a deeper look into the problem, and it does not address any major drama or dilemmas. It only sponges on the mentioned problems and I consider it to be a certain kind of kitsch. Overall impression: 35%.
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The film has such an interesting story, written by life itself, that it simply stands on its own. Fortunately, the acting is also very well done, so they managed to create something that has substance, and the necessary strong emotions are conveyed well. The romance here felt a bit unnecessary to me, but thankfully, it appears in small measure. This is very good.
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I haven't read the book, but after seeing Desert Flower I'd like to remedy that because I liked it so much. While I don't usually admire models, Waris Dirie is probably the exception that proves the rule. Even though she probably isn't suffering much nowadays, she likely endured a lot during her childhood and adolescence, not only in relation to female genital mutilation. Besides the touching story written by life itself, I was also impressed by the performances of Liya Kebede and Sally Hawkins. Both of them played their roles perfectly. (85%)
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Annonces