Réalisation:
Preston SturgesScénario:
Preston SturgesPhotographie:
Victor MilnerActeurs·trices:
Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette, William Demarest, Eric Blore, Martha O'Driscoll, Janet Beecher, Robert Greig (plus)VOD (1)
Résumés(1)
Sur le bateau qui le ramène à New York après un voyage en Amazonie, un riche et naïf Américain, Charles Pike, fils du roi de la bière, constitue une proie toute trouvée pour la séduisante aventurière Jean Harrington, en campagne pour dégoter un mari. Mais à la suite d'un malentendu, leur idylle tourne court. Décidée à ne pas lâcher Charles, Jean se déguise alors en lady anglaise... (Arte)
(plus)Vidéo (1)
Critiques (2)
Having switched to comedy, Barbara Stanwyck plays a woman who knows not only what men want, but mainly what she herself wants. And how to get it. Henry Fonda appears in the role of her guileless victim. Whereas he – enchanted by the fragrance, appearance and intellect of the first alluring being he has seen after years spent in the wilderness – betrays the secret of his only trick (a card trick) without any hint of forethought, she subtly involves him in her intrigues. The traditional battle of the sexes doesn’t happen; we know who the winner will be from the beginning. A woman, not a deus ex machina, brings the central couple back together after a falling out. A pure femme fatale in the form of Stanwyck balancing on the very edge of what the Production Code allowed. She is so sensuous that she can alter the protagonist’s perception of reality (the soft-focus subjective shot through the eyes of the enchanted Fonda). She simply befuddles him, but with subtextual hints that filmmakers more timid than Sturges would rather have kept to themselves: the snake as a phallic symbol and Fonda’s subconscious materialised. Because, let’s not be naïve, after such a long period of abstinence, he cares only about one thing and is essentially a person of as little virtue as Stanwyck. Compared to other screwball comedies, The Lady Eve is slower (Sturges’s problems with rhythm are the most obvious when it comes to slapstick) and less sophisticated than the plot suggests, but for its essential alteration of the usual division of roles, it definitely should not be overlooked when tracing the roots of the American romantic comedy genre. 75%
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Henry Fonda is unbelievably charming in the role of a naive millionaire whom a beautiful stranger wants to swindle out of his money. However, not everything is as it seems in the plan, and everything ends up differently. Sure, it's a bit clichéd, but the performances are so excellent that you simply have to enjoy this comedy, including the absurd repetition of some funny elements.
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Annonces