Résumés(1)
Ari Folman, metteur en scène israélien, a rendez-vous en pleine nuit dans un bar avec un ami en proie à des cauchemars récurrents, au cours desquels il se retrouve systématiquement pourchassé par une meute de 26 chiens. 26, exactement le nombre de chiens qu'il a dû tuer au cours de la guerre du Liban, au début des années 80 ! Le lendemain, Ari, pour la première fois, retrouve un souvenir de cette période de sa vie. Une image muette, lancinante: lui-même, jeune soldat, se baigne devant Beyrouth avec deux camarades. Il éprouve alors un besoin vital de découvrir la vérité à propos de cette fraction d'Histoire et de lui-même et décide, pour y parvenir, d'aller interviewer à travers le monde quelques-uns de ses anciens compagnons d'armes. Plus Ari s'enfoncera à l'intérieur de sa mémoire, plus les images oubliées referont surface. (Le Pacte)
(plus)Vidéo (2)
Critiques (4)
Let's now turn to a slightly different war film. The Middle East has been a crisis area for several decades now. Things happen here that are hard to imagine for those of us who live in relative peace. War is imminent here every day, sometimes it is just hours away from a state of war. The question is whether hatred is still truly so strong, or if it is simply a state that just persists. Actually, a very harsh, very bizarre stereotype. "Waltz with Bashir" is a film, actually a documentary film, that gives us a glimpse into the lives of several individuals who remember the events in Lebanon that took place years ago. These are their memories, and they are not very pleasant. Why else would the story be so interesting, right? They remember ordinary events, it would seem, but in reality, there is nothing ordinary about it. Everything comes together into a harsh conclusion that shakes you, I think. What is very positive about the film is the execution. It is not a live-action film, but an animated film, which is done in such a way and in such colors that it is perfectly in line with what the film is about. There aren't many animated documentary films, but this one definitely stands out above all. It is a presentation that is quite depressive, which doesn't bring much hope, much kindness. But what do you expect in a world where wars constantly rage on and show no signs of ending? More: http://www.filmovy-denik.cz/2013/01/tobruk-valcik-s-basirem-2-dny-v-new.html
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Ari Folman is right that memory is an evil-minded trickster. For example, mine kept reminding me that I already saw this somewhere else. Though not in such an enticing form (and from another place/period), but it was certainly truer and more sincere. If we must have animated Middle East memories of "something big and serious", then it should be in the form of Persepolis. At least one can feel a soul from it and not just a cold calculation (I knew nothing about the movie, but it was clear to me almost immediately that in the end we would be shown unanimated atrocities) that all too clearly depends on the fact that, thanks to the form and severity of the message, they can get away with almost anything, including boredom. But not in my book.
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The dynamics of animation blended with a perfect soundtrack, a captivating platform about the search for one's own memory, saturated with a feeling of life and an attitude not unlike the American reflection on Vietnam in the 1980s. It is constantly somewhere on the edge between a documentary and animated art (the aesthetics of the image is modern, simple and infinitely impressive). But what are the best things about Waltz with Bashir? Definitely the simple metaphor and narrative trick in one character – the search for memory as painting, the mediation of traumas via a "distant lens" of animation... and finally the collapse of all barriers in the face of drastic reality. The fact that the "reality" is identical to what we watch daily with the expression of non-participating observers in the news is just a sarcastic undertone as a little big bonus of the film. Waltz with Bashir culminates much more impressively than most war films. Bravo, Ari Folman!
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I still remember the war between Israel and Lebanon, even though I was far from being an adult. The Israeli army wanted to destroy the main headquarters of the Palestine Liberation Organization in Beirut and force the Palestinians to leave Lebanon. Despite their overwhelming military superiority, this campaign turned into a nightmare because the Israeli army was not trained to fight against an enemy using guerrilla tactics and operating in urban areas. Up until then, the Israelis had been successful in battles against the large armies of their Arab neighbors in major military confrontations. An animated film can capture and depict the atmosphere of a crazy war even better than a live-action film, or at the very least, with significantly lower costs. It is a very interesting spectacle from an artistic perspective, as the color scheme of the shots that take place in the memories of the characters creates a tight yet very impressive atmosphere. It is a strongly anti-war movie, incredibly emotional, and early on in the year, it is already my main favorite for my ranking of the best films of this year. I'm just surprised that this film didn't receive an Oscar, and I really want to see the film that surpassed it, so that I can make a comparison. Overall impression: 100%.
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