Réalisation:
James WatkinsScénario:
James WatkinsPhotographie:
Christopher RossMusique:
David JulyanActeurs·trices:
Kelly Reilly, Michael Fassbender, Jack O'Connell, Finn Atkins, Bronson Webb, Thomas Turgoose, Tara Ellis, Alyssa Cooper, Thomas Gill (plus)Résumés(1)
Jenny est maîtresse d'école. Son petit ami et elle quittent Londres pour passer un week-end romantique au bord d'un lac. La tranquillité du lieu est perturbée par une bande d'adolescents bruyants et agressifs qui s'installent avec leur Rottweiler juste à côté d'eux. A bout de nerfs, ces derniers leur demandent de baisser le son de leur radio. Grosse erreur ! (texte officiel du distributeur)
(plus)Vidéo (1)
Critiques (10)
Ce film m’a étourdi, noué l’estomac et soulevé le cœur. En plus, rien ne m’obligeait à le regarder avant de prendre l’avion et, après l’avoir vu, je n’avais plus envie de monter à bord. Kelly Reilly et Michael Fassbender sont excellents. Jack O’Connell, lui, se cantonne à jouer des types du genre « Je suis Cook, bordel ! », à croire que ce jeune acteur aime ça… Les fans de la série Skins comprendront. :-)
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Poor old Michael Fassbender makes a fatal mistake and takes Dr. Watson’s wife on a trip to a lake. To a lake in Britain. Toa lake in Britain where youths are playing youthful games. Despite a couple of weird things about the behavior of the characters (even though, let’s face it, people are fundamentally idiots and don’t behave logically, especially where emotions are involved) and a couple of weird situations, this is an excellent example of how things can go really frickin’ (“mind your language") wrong. No shortage of brutality and the ending is a lot to take. Powerlessness... a loss of morale, conscience and rules. Americans can go jump in a dumpster with their would-be survival horrors and thrillers.
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A trip to a lake turns into a fight for survival when a loving couple pisses off a bunch of local teenagers. An unoriginal but very impressive and suspenseful film that people with weaker stomachs may not be able to handle, but fans of the British new wave of horror will definitely be very satisfied.
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Every horror fan should sit up and take notice, this is the gem many of us have been waiting for in vain all this year – a very intense and disturbing experience. The trodden basic storyline of a couple in the woods who run into psychopaths that want to hurt them is portrayed in such way that it feels incredibly realistic, making you wonder whether you haven’t recently read about something similar in a newspaper. In many films I end up rooting for the villains, at least in part (especially in slashers), but Eden Lake made me literally wish for a happy ending or at least a properly cruel punishment for the underage ruffians. Really, I don’t have any major complaints. The ending is good, the torture scenes have the effect they are supposed to have, and the heroes are almost surprisingly likeable. Basically, Eden Lake is a slasher enriched by a lot of exploitation elements that cements the exceptional position of modern European horror (that beautifully incorrect scene by the campfire could never be made in America today).
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The islanders strike back at the French, who have had no competition in the exploitation field recently. It takes place in the traditional backdrop of a deep forest, where a young couple go for a romantic weekend. This time they’re not terrorized by a sweaty redneck, but rather by a bunch of rude brats. The plot, based on a clear model, is disrupted by several impressive twists and turns, an excellent pair of protagonists, a twisted party boss with the visage of a hockey player, and, above all, a surreal ending that pushes the despair even further. Some moments (the thorn, the game with fire, the ending) make me want to give it full stars, but the slight aftertaste from the mix of Frontier(s) and Them keeps me at a four, albeit a very strong four. Keep it up!
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Annonces