Les Immortels

Les Immortels n'a pas d'histoire qui le fait avancer ou de personnages qui lui donnent vie. Et pour un corps féminin voilé, il y a trente corps masculins à moitié nus. Mais le film est tout à fait sanglant, le concept des dieux et de leur demeure au-dessus des nuages ​​ne ressemble pas à un film porno bon marché (voir Le Choc des Titans), et les décors opulents frôlent le génie du design. Je ne me suis pas ennuyé, je n'étais pas emballé, je n'ai eu de la compassion pour personne et je n'ai soutenu personne, mais je l'ai quand même regardé jusqu'à la fin avec plaisir. Une vacuité ostentatoire efficace. (14/11/2011)

Please, no more battles between reality and dream. Tarsem Singh finally found a substance in which his unmistakable visuals do not become empty mannerisms, but instead perfectly serve an interesting (albeit simple) story in the theatrical vein of the big studio "sandal films" of the 1960s Hollywood big screen era. Paradoxically, the epic is conveyed through non-action acts, which allows the excellent actors to shine. Rourke’s villain is rightly being elevated to Olympus by everyone, whilst Cavill's charismatic bastard holds great promise not only for the new Superman but for similar types of roles in general. Beyond that, Freida Pinto's ass is just for show. This is another one of those occasional film pieces where I was put off going to the movie theater by lukewarm reviews and, despite the HD screening, I will regret it for a long time to come. 4 ½. (25/01/2012)

A supremely aesthetic affair in which Tarsem Singh has imprinted his unmistakable, bizarre visual sensibility. The theatrical stylisation, the lack of epicness and the sparseness of the film's sets (while at the same time visually intoxicating) are the author's intention, not due to the producers' boredom and a hole in their wallets. I want to have this in Blu-ray. (29/11/2011)

That was yummy! A film doomed to the most mixed reviews. For some it will be an insufficiently stylized and insufficiently action-packed copy 300, for others, a way too stylised and an unfaithful take on ancient mythology, and yet for others, a screenwriting mess without any clear motifs and relationships… or, it’s really easy to criticise Immortals. But if I had to criticise one thing, it would be that, compared to his previous film, Tarsem Singh has taken a bit too big a step towards the average audience. But despite that, he’s made a very original and stylised film that I refuse to call average, even if I was forced to. Visually, it’s one of the most intoxicating films from last year and I’m sorry to have missed it in the cinema. (15/01/2012)

Tarsem Singh is a great storyteller of his fantastic world. After a long time, I have the honor to watch a director who puts a lot of himself into his films, and every time, at least their visual side can easily captivate me. However, I was disappointed that in War of the Gods, which had brilliant scenery, the story itself did not interest me. It was incredibly confusing and it was impossible to connect with the actors in any way, to get used to them and to be able to go with them towards the end of the movie. It was a pity because the visual side was absolutely perfect. I haven't seen anything like that in a long time. (26/03/2012)