Réalisation:
Sylvester StallonePhotographie:
Jeffrey L. KimballMusique:
Brian TylerActeurs·trices:
Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Eric Roberts, Randy Couture, Steve Austin, David Zayas, Giselle Itié, Charisma Carpenter (plus)VOD (2)
Résumés(1)
Ce ne sont ni des mercenaires, ni des agents secrets. Ils choisissent eux-mêmes leurs missions et n'obéissent à aucun gouvernement. Ils ne le font ni pour l'argent, ni pour la gloire, mais parce qu'ils aident les cas désespérés. Depuis dix ans, Izzy Hands, de la CIA, est sur les traces du chef de ces hommes, Barney Ross. Parce qu'ils ne sont aux ordres de personne, il devient urgent de les empêcher d'agir. Eliminer un général sud-américain n'est pas le genre de job que Barney Ross accepte, mais lorsqu'il découvre les atrocités commises sur des enfants, il ne peut refuser. Avec son équipe d'experts, Ross débarque sur l'île paradisiaque où sévit le tyran. Lorsque l'embuscade se referme sur eux, il comprend que dans son équipe, il y a un traître. Après avoir échappé de justesse à la mort, ils reviennent aux Etats-Unis, où chaque membre de l'équipe est attendu. Il faudra que chacun atteigne les sommets de son art pour en sortir et démasquer celui qui a trahi... (Metropolitan FilmExport)
(plus)Vidéo (7)
Critiques (12)
Si j'avais vu ce film quand j'avais treize ans, j'aurais applaudi avec enthousiasme. Mais aujourd'hui, avec du recul et un peu de nostalgie, je le considère comme bof, même si j’ai du respect pour toutes ces stars de l’action des années quatre-vingt-dix et que je consacrerais volontiers mon temps libre à regarder cinq suites si elles venaient à être tournées !
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Paradoxically, it should have been even duller and more straightforward. The film is particularly damaging by the pursuit of a sophisticated motivation for a lifelong killer who wants to save at least a piece of his empty soul. In Rambo IV, Stallone drowned it in blood and bulldog focus, here the film struggles with it and has trouble explaining to the viewer why the characters are where they are and why they do what they do. Regardless, The Expendables looks like disparate testosterone action sketches and a spelling-book of "meta-movie" catchphrases (the more you know the map of the 80s, the more you enjoy them). The event is solidly physical, but confusing in places for my taste – those attempts at "Greengrass kinetics" – and rushed. The film is also lacking the 80’s drive in the style of "you killed my uncle, so I’m going to hurt you now". I had a good time, but I couldn't shake the feeling that Stallone didn't cross the magic line and fall into that retro river completely. Sometimes he seems to try to "talk" his way into it unnecessarily when the door needs to be kicked in. That's why I'm hesitating about giving it a fourth star.
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Films of this kind can never excite me, already from their very basic nature – heroes that only rely on their muscles can never be heroes to me (and they aren’t). The Expendables are a celebration of dumb brute force – and a pretty expendable film as far as I’m concerned. Long live modern action films that rely on something other than how long and how often a hero on ‘roids can drop “funny” wisecracks. Back in the 80s, that may have had its charm (which I can feel even today when I watch those old films), but I don’t see any reason to go back to that. PS: The church scene was incredibly artificial and forced, like the rest of the film. PS2: The inferno at the end is pretty cool in the details but utterly confusing as a whole.
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I hope someday they publish a collector’s edition on an over-played VHS videotape with the special Czech “speed-dubbing" and normal editing. Then and only then can these be considered to be the real McCoy action movies “like out of the eighties". But as it is half way between a pleasant movie playing at being nostalgic and real, unadulterated nostalgia (the church, the church!). But it has three main problems. Too much “Bournesque" editing, too little work with the personality cults of various testosterone legends (this happens only in scenes with Jet vs. Dolph and in the church) and of course the must fundamental problem - no Asia Argento, but instead (no) Charisma.
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Satisfaction for me on all fronts. From the fighters’ hangout (admittedly, the church scene could have been a minute or two longer), to the witty banter and poking fun at themselves, to the sheer action-packed charge that always kicks in at the right moment. You could criticize it for all sorts of things, but the same also applies to classic nostalgic films. At times I felt like clapping loudly and shouting at the whole movie theater. Particularly the "fistfight" at the end was asking for it permanently. 4 1/2. I think I'll go see it again. Edit: I went again and the enthusiasm has lessened. I’m bothered a bit by the tediousness of the first half and the neglect of some of the team members (Couture, Crews). But from the moment Stallone breaks into the basement dungeon, it's one of the action highlights of (probably not only) the year. Regarding the fun factor, though, Joe Carnahan otherwise won...
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Annonces