Réalisation:
Dennis DuganPhotographie:
Theo van de SandeMusique:
Rupert Gregson-WilliamsActeurs·trices:
Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek, Maria Bello, Maya Rudolph, Joyce Van Patten, Steve Buscemi (plus)VOD (4)
Résumés(1)
Après trente ans sans se voir, cinq copains d'enfance se retrouvent pour partager un week-end avec femmes et enfants. Leurs relations reprennent là où elles en étaient restées trois décennies plus tôt, et ils vont vite découvrir que vieillir ne signifie pas forcément grandir... (Sony Pictures Releasing France)
Critiques (8)
The sequel definitely impacted me more, but even in this first installment, I felt like I knew these characters even though I had never seen them before. So, it wasn't hard for me to connect with them and laugh along. It's simply because these actors often work together, so you get used to seeing them together. I love Sandler's humor, and I easily accept his concluding moralities. Keep it up!
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Une autre comédie avec un "scénario" : on place côte à côte les humoristes contemporains les plus populaires et on les laisse s'amuser en improvisant. Quelque chose en sortira. Quelque chose qui ne rapportera que des centaines de millions de dollars dans les cinémas américains et nous fera tous rire. Un concept de scénario faible, une utilisation médiocre de l'expression individuelle des acteurs et l'acteur le plus précieux en termes de personnalité du film, Steve Buscemi, y joue le plus grand idiot. Merci, je décline votre offre. JEREMIE
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Je continuerai de défendre Adam Sandler bec et ongles, même sous la torture ou les tentatives de persuasion par des appâts juteux. Car pour moi, il est le plus grand comique du moment et ce n’est pas pour rien que les Tchèques utilisent le mot « sandlerovky » pour désigner les « films sandleriens ». De mon côté, ce terme évoque une comédie imprégnée d’un humour pouvant être délicat, rude, voire dégoûtant, mais qui offre toujours en filigrane un message moral, une leçon, une conclusion. Et dans Copains pour toujours, cette tendance établie se poursuit. J’ai d’ailleurs l’impression que Sandler a atteint son apogée ; ma copine et moi, tout comme le reste des spectateurs présents dans la salle, avons ri pratiquement du début à la fin. Quoiqu’en disent les détracteurs de Sandler et bien qu’on ne parle pas de comédie du genre le plus noble, il ne doit pas être facile de concevoir un tel film et d’écrire un tel scénario.
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It’s a corny comparison, but even Sandler has attempted his version of The Expendables and the result is a solid collection of comedians per square foot on the film set, and it's clear that everyone enjoyed the shoot to no end. There are no annoying family values, and in fact, the guys are old enough to mentor the little kids, but all the fart and gerontophile jokes are painfully torturous. You'll also soon realize that for this bunch the film is relatively shallow in terms of being funny. Still, it’s pretty good and everyone except Schneider acts and the Salma & Maria duo is absolutely perfect :-)
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Dennis Dugan made up for his post-Zohan reputation with this one. I was actually almost afraid to go see this movie. I was that disgusted with Sandler in Zohan! Fortunately, I was quite entertained by Grown Ups. I don't even know why... I mean, they only did one thing... they simply tossed a bunch of (fairly) successful actors and lakes together and said "do something funny in there". Maybe Mr. Dugan wasn't even there, so it turned out well beyond expectations. 3.5 stars.
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Constant, overly vulgar insults that aren't even remotely funny, cheap situational humor, unsympathetic jerks in the lead roles, a face buried in poo several times (I don't even want to guess whose it was)... Well, that was quite the comedy. More like a series of sketches. Not funny at all. I give a star for Steve Buscemi in the water park and Salma Hayek throwing frogs. And that’s it.
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Big disappointment for me, and not even my favourite Adam Sandler could improve it. The story makes no sense, it doesn’t have any unexpected twists or a central premise for the screenwriter to draw on for further ideas, it felt as if the actors had bought a couple of kegs of beer, set off on a children's adventure and filmed it all on camera. It's nothing but madness that knows no bounds, but unfortunately it lacks some of that good and improvised humour, and without it, any Sandler comedy immediately loses its charm.
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Adam Sandler is de facto the lead role, producer, and co-writer – which means the whole "tale" is Sandlerian everywhere you look. A lot of the jokes go beyond good taste (but that's a rule with Sandler movies) and this time I probably enjoyed the mocking lines the most (like the scene of ripping Kevin James at the funeral was without flaw) and the relative ease of the story – I emphasize "relative" since the final pathos on the pier was laughable and the emotional wallowing in the scenes where little kids have their ideals stolen from them was at the very least embarrassing, if not obscene. Still, there are a few gags that are definitely worthwhile and as an absolutely (but really absolutely) unpretentious diversion, Grown Ups doesn't offend, but it doesn't impress in any significant way either. A perfectly average Sandler film with a good cast.
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Annonces