Réalisation:
Yorgos LanthimosPhotographie:
Thimios BakatakisActeurs·trices:
Christos Stergioglou, Michele Valley, Angeliki Papoulia, Mary Tsoni, Hristos Passalis, Alexander Voulgaris, Anna Kalaitzidou, Steve KrikrisRésumés(1)
In an effort to protect their three children from the corrupting influence of the outside world, a Greek couple transforms their home into a gated compound of cultural deprivation and strict rules of behavior. But children cannot remain innocent forever. When the father brings home a young woman to satisfy his son’s sexual urges, the family’s engineered "reality" begins to crumble, with devastating consequences. (texte officiel du distributeur)
(plus)Vidéo (1)
Critiques (5)
Une étude psychologique du comportement et de la perception du monde par trois frères et sœurs adolescents à qui leurs parents n'ont jamais permis de quitter la propriété clôturée de leur maison familiale. Inconscience, communauté, sexualité incestueuse, animalité. Et l'intention perverse des parents de protéger ainsi leurs enfants du « mauvais monde ». Une intention qui ne peut que leur échapper. Yorgos est une bête psychologique avec une approche absolument unique, voire scientifique, de l'écriture et de la réalisation de sujets extrêmes qui l'enthousiasment visiblement de façon incroyable. En clôturant son expérience - la dernière scène du film - il dérange délibérément le spectateur, suscite une vague de discussions et remporte presque délibérément l'un des prix à Cannes. Malin.
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En remerciant l’utilisateur RUSSEL pour la recommandation, je dois constater que je viens de regarder le film de Lanthimos à ce jour le meilleur et le plus original. Ce n’est peut-être pas correct, mais plusieurs scènes m’ont fait rire à gorge déployée. J’ai aimé le concept général et on pourrait débattre longtemps de la nature et du sens des mots, notamment de ce que l’on entend exactement par les termes « clavier » et « zombie ». Je serais d’ailleurs curieux de savoir ce qu’un expert en psychologie en penserait, mais en tout cas, je ne m’attendrais pas à des réactions totalement négatives.
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I’m yet to see a normal film from the Balkans :-D… Following recommendations, I didn’t find out anything about Dogtooth before watching it (thanks Rob Roy), and I could not believe what I was seeing. In a sense, this film almost surpasses the infamous A Serbian Film, It’s really very unsettling and very sick. The current genre label is a pretty good joke. “Mum, what’s a cunt” - “A cunt is a big light. For example: If the cunt is turned off, Earth will be without light.”
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Perfect. The most mined model situation of a family isolated behind a high wall, from which Lanthimos distilled a sheer sick bizarre sequence of scenes that escalate with a family dance to the sound of a guitar, a scene so brilliant that my mind cannot fathom it. But even the rest of the film is teeming with invention and a completely out-of-the-way sense of humor, which is exactly my blood type. Not just anyone can film such a beautifully deranged and sexually bent film. The Greek is no doubt crazy. Beautiful and dangerous. The cunt is indeed a great light, the entirety of the film Dogtooth is proof of this.
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A very powerful film. It's a shame that the film didn't grab me until halfway through the second half, but I still had an uneasy feeling watching it. Although the film is not very audience-friendly, I can't say that I had a great time, it has a slower pace, perverse scenes, odd lines, unlikeable actors and their behaviour. But there were two scenes at the end made threw me off quite a bit: a very sick dance that almost made me take a pill, and then the dumbbell scene, which hurt even me. A strange, strange film, but it has something to it. 65%
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