Réalisation:
Hans Petter MolandScénario:
Kim Fupz AakesonPhotographie:
Philip ØgaardMusique:
Halfdan E.Acteurs·trices:
Stellan Skarsgård, Jorunn Kjellsby, Bjørn Floberg, Gard B. Eidsvold, Jannike Kruse, Bjørn Sundquist, Kjersti Holmen, Jon Øigarden (plus)Résumés(1)
A peine sorti de prison, Ulrick tente de se réinsérer. Il n'a pas d'ambition particulière, il veut juste prendre un nouveau départ. Mais entre son ex patron mafieux, sa logeuse qui le harcèle sexuellement, son fils qui ne veut pas le voir et bien d'autres péripéties, Ulrick a du mal à trouver sa place. C'est un chic Type.... Mais jusqu'à quel point ? (Chrysalis Films)
(plus)Critiques (7)
Les personnages et certaines situations sont drôles, avec une touche d'humour sec et nordique, mais au final, c'est un film facilement oubliable avec une intrigue éculée et sans dimension poétique (tant sur le fond que sur la forme), ce que des histoires similaires rendent spéciales, par exemple, chez Kaurismäki.
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I’d not watched any Scandinavian sound films, and then I saw A Somewhat Gentle Man. I indulged in a pre-premiere experience, which was very stimulating, and I went on a unique trip through Norway with Stellan Skarsgård. It was unique in that rather than the story, I paid more attention to the realities, which I compared with those of the Czech Republic. I was reminded of something from folk comedies of any provenance thanks to the frequent repetition of the same crude gags, but I was surprised that it could be done in the context of a more intelligent whole. Still, I'm not so overwhelmed by the new that I'm going to go down the path of seeing more "chilling humor and all sorts of characters."
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A Somewhat Gentle Man turned out as a mix of genres definitely better than In Order of Disappearance, partly because Stellan Skarsgard works here as the main character much more convincingly, even though he deliberately suppresses his acting range and simply represents a redneck who doesn't want much from life and just survives. The plot is not particularly attractive and it essentially doesn't work as a crime film, but as a quirky comedy about an aging guy without life prospects, it's fine. The sex scenes, devoid of any romance and attractiveness, are fascinating. It's simply a mechanical activity performed as if in passing. If you show this to adolescents, they will lose any interest in sexual experiments for a long time. Overall impression: 70%.
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When leaving prison, the guard advised to look ahead. Well, what if what’s behind you is right next to you, looking ahead with you? Built on many small details (the unnoticed enthusiasm of those around that he’s out, or Stellan Skarsgård's expression when the landlady first gives a panty signal and he realizes things are bad) and characters that are defined through them (from Hennie’s arms dealer who knows his commodity to Rolfe, the third guy in the back, reminiscent of Buscemi’s Donny from The Big Lebowski). It’s that Nordic caress against the grain that, in the hardest moment, transitions from rainy winter to sunny spring.
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The Norwegian filmmakers had quite a bit of fun with this one. I enjoy these essentially minimalist movies with such subtle humor that you almost pick it up subliminally. I won't hide the fact that I'm not fond of criminals, but there was something oddly likable about the murderer Ulrik to me. The truth is, his life of freedom was almost indistinguishable from serving a sentence (his apartment was only slightly messier than a cell). Stellan Skarsgard's portrayal of the not-so-talkative Ulrik was brilliant, and the rest of the cast didn't hold back either. If it had been just a tad more bizarre, I might have given it five stars. / Lesson learned: Don't speak like a machine gun, it could be too much for the heart.
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Photos (29)
Photo © Neue Visionen
![Un chic type - Film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/951/159951310_351331.jpg)
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