Réalisation:
Tomáš ŘehořekPhotographie:
Antonio RiestraActeurs·trices:
Jan Budař, Kateřina Brožová, Milan Šteindler, Martin Písařík, Predrag Bjelac, Tomáš Matonoha, Zdeněk Srstka, Petr Čtvrtníček, Ester Kočičková (plus)Résumés(1)
This story witnesses an extraordinary career. From an alcoholic's family wretch to the king of internet domains. The impossible gets possible, standards, conventions and rules break apart. As early as a kid he understands that he himself is the only one he can trust and rely on. He somehow zig-zags through the totalitarian eighties and the breakthrough November catches him in a weird situation, too – locked in an insane asylum. With the revolution over, things rock and run by. Up and down. To Germany and back. To a Prague district and back. To China and back. It's all so easy, a snap (and perilous at the same time). What's behind this big take-off, being smart or cunning? The unthought-of and infinite opportunities of the internet turn into a virtual wealth. The hero has everything, he even contemplates quite an unconventional family... Looks like a happy-end – which however gets ruined in style at the end. (texte officiel du distributeur)
(plus)Vidéo (1)
Critiques (3)
Un drôle de film avec la narration psychotique et perturbante de Jan Budar. Difficile à évaluer… J’apprécie l’apparition de toutes sortes de personnages bizarres, le côté voyage et les vies aux multiples rebondissements, mais l’ensemble est quand même assez barré. La meilleure prestation revient à Milan Šteindler.
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Well, what can I say about this? I have issues with the main character, but on the other hand, you can't deny that Budař played his Czech Made Man role well. I can easily imagine such people in the Czech Republic. We Czechs criticize politicians, but what can we expect when such riffraff is among us as well? We have what we have. It’s stylized, interesting storytelling, but it might also just pass by you and you won't take away much from it. It's quite a shame because we can see this kind of character around us quite often.
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It’s stylish, no question about it. Řehořek is not the genius who will save Czech cinema, but his insistence on going against the traditional filmmaking current that runs through the heart of Europe needs to be applauded. The only major problem I have is the protagonist, whose appearance and demeanor perfectly meet the definition of an arrogant asshole. The fact that he has a real person as his prototype also doesn't make me root for him whatsoever.
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Annonces