Réalisation:
Rudolf HavlíkScénario:
Rudolf HavlíkPhotographie:
Václav TlapákActeurs·trices:
Pavel Batěk, Vica Kerekes, Filip Blažek, Jiří Lábus, Klára Issová, Jan Přeučil, Michal Kavalčík, Ladislav Županič, Anna Kulovaná, Petr Batěk (plus)Résumés(1)
Long in the making, this contemporary tragicomedy tells the story of globetrotter and businessman Petr, his close friend Tereza and a myriad other women the fickle adventurer likes to surround himself with. His latest deal, however, doesn't go well at all and, apart from a gang of thugs, he's also hounded by his own conscience. (Karlovy Vary International Film Festival)
(plus)Critiques (7)
Une histoire mal racontée avec un protagoniste antipathique qui se comporte comme un vrai idiot tout en déversant à tout moment des pseudo-sagesse philosophiques prétentieuses via une voix off récurrente L'intrigue est stupide et les péripéties « comiques » ne fonctionnent pas du tout (je n'ai ri que deux fois pendant tout le film). Le meilleur personnage est l'ami du protagoniste, interprété par Filip Blažek, qui est un véritable gentil. Parce que si c'était moi, je me détesterais sincèrement faire un voyage aller-retour en voiture de Prague à Prachatice puis à Ostrava, chaque fois que le héros principal me le demande. Du point de vue technique, le film n'est pas mauvais, mais du point de vue du contenu, il est épouvantable.
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Je suis toujours plus indulgent avec les premiers films d’un cinéaste. Rudolf Havlík a lui-même conçu, écrit et réalisé le tout. On pourrait lui trouver beaucoup de reproches, en particulier le scénario qui gagnerait à être écrit par une main un peu plus expérimentée, mais je vais plutôt m’attarder sur les points positifs. En premier lieu, les acteurs sont brillants. Tous les amateurs de théâtre et, bien évidemment, de séries, connaissent les talents de Pavel Batěk et Vica fait plaisir à voir dans un rôle qui est pourtant légèrement différent de ce à quoi elle nous a habitués. Quant aux rôles secondaires incarnés par Lábus, Přeučil et Blažek, ils sont tout aussi convaincants. Mais le principal, c’est que ce film et sa projection dans le cadre d’un festival de musique ont suscité en moi des émotions agréables et m’ont fait rire plusieurs fois à gorge déployée. Les scènes les plus drôles étaient celles avec l'assommement et la kleptomanie. Dans l’ensemble, on se situe entre trois et quatre étoiles, mais pour un début et pour la bonne humeur, je vais pencher vers les quatre étoiles. Le deuxième film de Rudolf Havlík en aura certainement plus dans le ventre en matière de scénario.
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This looked interesting already in the trailer, which was confirmed by the movie itself. The plot has some holes in it, but it’s bearable. That is, if you don’t mind that the protagonist has an accident in a field close to Prachatice, and his friend coming for him from Prague takes like five minutes to get there. And the same goes later for Brno and Ostrava, as if every city in our country was just behind the corner. Anyhow, it is filmed well and the actors were incredibly entertaining. I hope to see Pavel Batěk, Filip Blažek and Vica Kerekes in more movies in the future. They are easy on the eyes and very good actors.
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When the cosmopolitan poster appeared in the summer months, the only question of uncertainty was whether the proclaimed faces could withstand such a project in Czech conditions. Surprisingly, both Vica Kerekes and Pavel Batěk are up to it. Vica can play a distinctive and sexy girl without cheap vulgarization and Batěk is an interesting alternative to the main protagonists of today, although he is the same visual type as Matěj Hádek. The third main character is played by Filip Blažek, who, after years of theater and TV work, also knows how to find a suitable position that does no harm and is fully helpful to the whole. Issová and Přeučil took the supporting roles just to make sure, and the only one who again didn't pay attention to anything integral and created an original acting etude on the theme was Lábus, but that's why we all like him so much. So, in sum, can a Czech-Slovak film travel from Prague to Brno, Ostrava, and Beijing and still remain interesting, suspenseful, and believable? And also deal with a cliffhanger of a gradation that is unmatched even by the world's best melodramas? Yes, it can. I’m thankful we have it. Cosmopolitanism be damned, this year I'd like to see All My Tomorrows as the favorite to receive the award for best Czech film.
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More Czech films like this, please, but with a better script. All My Tomorrows is a skillfully shot and acted air vacuum, which benefits from several "proven" clichés (especially the main romantic plot is horrible) and takes away the unusual things and characters that deserve more attention (especially the mafioso Jiří Lábus). Rudolf Havlík has talent.
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There wasn't as much romance as usual, but a typical Czech cringeworthy attempt at a dramatic action scene ruined everything. The writing was pathetic, just like I had expected, and so were the acting performances, thanks to which Filip Blažek clearly stood out as a star. The subplots were quite bizarre. I couldn't find a reason to give it a single star. Still, if Rudolf Havlík made a fifteen-minute short film in which Pavel Batěk and Filip Blažek brutally beat Michal Kavalčík, I would immediately give it five stars and add it to my top ten. / Lesson learned: Every psychologist should have their own psychologist.
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I don't know if it was really meant to be a comedy, because it doesn't really work in that way in my opinion, but it does work as a romance, and it has a little bit of something grittier, but again it doesn't go beyond that. Vica is unfortunately quite annoying here, although she still looks incredibly good. The characters overall failed to draw me in that much. The filmmakers are good.
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Annonces