Réalisation:
Ella LemhagenPhotographie:
Anders BohmanMusique:
Fredrik EmilsonActeurs·trices:
Alicia Vikander, Bill Skarsgård, Björn Gustafsson, Michalis Koutsogiannakis, Alexandra Rapaport, Jesper Lindberger, Loa Falkman, Sara Lindh (plus)VOD (1)
Résumés(1)
Fragancia is arrested for the attempted murder of Richard Persson, the son of a powerful factory owner. During the interrogation her amazing and remarkable life story is revealed. We follow her through her impoverished childhood, her adolescence where she meets the great love of her life, ice hockey star Petterson-Jonsson and the lead up to the fatal night where the story begins. (texte officiel du distributeur)
(plus)Critiques (4)
It was with great pleasure that I let myself be carried away on the waves of fantasy by this modern Nordic fairy tale. It is an incredibly strange film full of poetry, life's sadness, and atmospheric scenes. Not everything always suited me, but I'm not going to dwell on the minor flaws after all the beauty. (80%)
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The Crown Jewels est très étrange et pourrait a priori être éliminé par un commentaire du genre « encore un truc déprimant à la suédoise, juste un peu bizarre ». C’est que ce film se révèle particulièrement atypique et à plusieurs moments, je me suis dit que c’était complètement à la masse, ou alors qu’il devait s’agir d’une tentative de transposition du réalisme magique au septième art. Force est de constater qu’il y a une certaine poétique, mais celle-ci se reflète négativement dans le scénario, l’histoire étant tout simplement fantasque à certains moments. L’atout principal ? C’est sans conteste Alicia, laquelle fait plaisir à voir, en tout temps et dans tous les rôles.
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The Crown Jewels is an extremely strange movie. You can find every existing genre in it. Sometimes that can hurt, but in this case it is rather quite good. The best part is that it is filmed really properly and every scene shows the quality of the movie. The actors are great, the locations are flawless, only the story takes a while before you get used to it. Once you do, you can’t leave it. After the first half an hour the film goes by quickly and suddenly it ends. As a Scandinavian movie it obviously can’t lack the hardships of day-to-day life. You will encounter them here, but as it is far beyond the line of Scandinavian absurdity, which by the way is already stretched, it is quite manageable.
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A great film with a strong story told in the style of Amelie or Big Fish. Absurdity and exaggeration balance the rawness and brutality of what happens over two hours, and the atmosphere is hard to describe, just like the perfect acting and a careful script full of metaphors that flow so magically to a beautiful end.
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