Réalisation:
Daisy von Scherler MayerScénario:
Tracey JacksonPhotographie:
John de BormanMusique:
David CarbonaraActeurs·trices:
Heather Graham, Marisa Tomei, Jimi Mistry, Michael McKean, Dash Mihok, Emil Marwa, Ajay Naidu, Dwight Ewell, Christine Baranski, Sakina Jaffrey (plus)VOD (1)
Résumés(1)
Ramu Gupta, un jeune Indien professeur de danse et fan de musicals, s'installe aux Etats-Unis pour y connaître la gloire et la fortune. Mais cette quête de célébrité se révèle plus difficile que prévu, et suite à un concours de circonstances, il devient un gourou enseignant la spiritualité à travers le sexe. Parallèlement, il tombe amoureux de Sharonna, actrice porno à ses heures libres. (texte officiel du distributeur)
(plus)Vidéo (1)
Critiques (2)
There are plenty of romantic comedies that entertain but are forgotten after a while. The Guru is a slightly different case. It stands out for its incredibly original execution. The story of an Indian man conquering America and porn actresses is indeed brilliantly executed. Directorially, musically, and especially choreographically. The script captivates not only with the filming of a porn movie but also with the perfect characters of Ramu and Sharon. Their behavior is firmly framed by romantic barriers, but the perfect acting of Heather Graham and Jimi Mistry elevates it just a little bit higher. Thanks to them, their characters are not lifeless puppets but people who live their "movie" lives. The Guru is a comedy that will definitely entertain you at first glance, but I can't guarantee that you will have the same fun watching it a second time.
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At first glance, there’s not much to it, but in retrospect, the romantic comedy The Guru (2002) offers a glimpse of several phenomena. One of these is the penetration of porn into mainstream genres as acceptable subject matter, with films such as Zack and Miri Make a Porno (2008), Meet Monica Velour (2010), Lovelace (2013), and the series Swingtown (2008) similarly operating on the edge. Another theme could be the gradual penetration of Western fascination with Bollywood during Monsoon Wedding (2001) and the subsequent Bride and Prejudice (2004). As a third theme, we have the extreme emaciation of every actress who aspired to get a leading, or at least prominent role (we send our regards to Brittany Murphy). And finally, of course, there is the extreme esoteric.
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Annonces