Parker

Quand ça ne va pas dans la vraie vie, le soleil de Floride en janvier fait plaisir même si c'est au cinéma. Et il était également agréable de regarder Jennifer Lopez. Sinon, c'est un film totalement moyen avec une intrigue éculée. Hackford a dû le réaliser en professionnel, étant donné la manière dont il a brillamment relevé des défis de genres bien plus importants dans le passé (en particulier Devil's Advocate). (30/01/2021)

This old-fashioned Stark’s detective story set in the present works quite well on the level of revenge on principle, but it starts creaking with the digression toward JLo. Statham was good as always in a familiar role, the action is solid and the beautiful Florida locations save the day. (09/05/2021)

A film with a hopelessly unpolished image. You can see it was directed by an older gentleman who lacks a killer talent and cannot turn it into either a thrilling action film or a sunny summer ride. Jason Statham's action potential is woefully underutilized, as well as the solid bad-ass feeling of the main villains. The only assets are a few solid hand-to-hand fights, surprisingly well-directed and sufficiently bloody, and Jennifer Lopez in a perfectly coordinated outfit. (06/07/2013)

Right from the start, there's an engaging scene where clowns and a priest rob a safe. From the beginning, the nearly two-hour runtime is a bit daunting. It's clear that the film can't keep up the pace. And it doesn’t. After the first great action sequence and a pretty intense scene, it turns into a dumb comedy with J.Lo, who bends over, shows off her impressive rear end - which we've seen countless times before (and it would have been better if she were at least naked) - and then it's just about taking someone out and doing a bit of moralizing. Jason's great, but it's not enough this time. (25/11/2013)