Résumés(1)

It's 1948 and Los Angeles is booming, but Ezekiel Easy Rawlins has seen better days. A decorated World War II veteran, he's just been fired and he's got house payments to make, so when he's offered a job locating the mysterious Daphne Monet, he doesn't waste much time saying yes. Now, he finds himself drawn into a web of murder, blackmail, brutal cops and city politics. (texte officiel du distributeur)

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Critiques (2)

Gilmour93 

Toutes les critiques de l’utilisateur·trice

anglais It's unusual in the context of the leading role of the African American community and related bidirectional barriers of segregation, but otherwise, the genre conventions remain unchanged. The man on the trail of a mysterious woman is used to be exploited, and amid a pile of questions and corpses, he gradually realizes that from the start, it was about something different. Something involving sex, shooting, and a few broken hearts. Carl Franklin could have delivered it more compellingly, but some details are worth noting. The impressive Denzel Washington, various types of Cadillac wrecks, the cynical Tom Sizemore, the unrelated involvement of an overly active neighborly lumberjack, and last but not least, the crazy Texan Mouse Cheadle, in whose vicinity it’s not safe. “If you ain't want him dead, why you leave him with me?” ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Denzel Washington usually doesn't disappoint, and surprisingly, he doesn't disappoint in this noir film either, which feels a bit too contrived to have the right dark yet masculine atmosphere with explosive scenes. It's too contrived and not gritty enough. Still, I like the fact that in the 90s they made films like this. ()

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