Réalisation:
Justin KurzelPhotographie:
Adam ArkapawMusique:
Jed KurzelActeurs·trices:
Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson, Michael Kenneth Williams, Brian Gleeson, Ariane Labed, Callum Turner (plus)VOD (5)
Résumés(1)
Grâce à une technologie révolutionnaire qui libère la mémoire génétique, Callum Lynch (Michael Fassbender) revit les aventures de son ancêtre Aguilar, dans l'Espagne du XVe siècle. Alors que Callum découvre qu'il est issu d'une mystérieuse société secrète, les Assassins, il va assimiler les compétences dont il aura besoin pour affronter, dans le temps présent, une autre redoutable organisation : l'Ordre des Templiers. (20th Century Fox FR)
(plus)Vidéo (20)
Critiques (13)
En tant que non-initiée n’ayant aucun point de comparaison avec le jeu, je ne peux que faire l’éloge du film. Dès les premiers plans, la cinématographie et les décors impressionnants sautent aux yeux. La musique est la seule chose que je connaisse du jeu, et je peux également évaluer positivement celle du film : dans l’esprit, elle est proche de la musique d’origine, et c’est l’oreille qu’elle flatte pour une fois. Elle m’a tellement plu que je me suis mis à écouter la BO dès que je suis rentrée chez moi. Les performances sont bonnes, comme on pouvait s’y attendre de la part de Michael Fassbender et de Marion Cotillard. Les scènes d’action et de combat sont également brillamment filmées. Cela faisait longtemps que je n’avais pas pu dire que j’attendais beaucoup d’un film et que je n’ai pas été déçue.
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It’s no fan service and it goes hard toward even the most welcoming viewer. It’s a non-Hollywood adaptation that mercilessly flushed over a hundred million and had no shame in doing so. It’s visually captivating bliss that tests the projectionists and the limits of how much the viewer is willing to accept the creative rules.
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Well, it's not a good film, but in the end it's not a complete disaster either. Assassin's Creed alternates above average and sometimes almost great moments with moments when I almost felt sorry for the filmmakers. What goes well? Definitely the action, or rather almost everything from the past. The battles are quick, fairly straightforward and brisk, and at least the part where two of the heroes are running away from an entire city really hit the spot. The scenes of Spain being terrorised by the Inquisition do show the money, and the costumes, the production design and the visual effects look more than good too. Unfortunately, everything that takes place in the present is more or less ugly and terribly boring. I've played almost all of the games, and from the very beginning, these passages annoyed me. In the film, the uninteresting present takes up two-thirds of the running time. Most of the cast act like they weren't told what was wanted of them, it doesn't make any sense at all at times, and unfortunately Assassin's Creed is unaware of its stupidity and simplicity (nothing against it, I love it) and tries to pretend to be something more than a simple blockbuster. And it's not very good at it. In a few years, someone will edit a nice 20-minute video out of it with good action and nice sets. In the meantime, we have a movie that is boring most of the time or tries in vain to fulfill the ambitions of someone in the background who didn't understand that he was making an action movie. And those have to be entertaining first and foremost.
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The curse of movies based on a videogame brand continues. This film is once again evidence of the fact that a good gaming adaptation does not need to mean a well-made movie. The computer game is based mainly on the atmosphere of the medieval setting. I always thought the story set in the near future wasn’t too great and I always sort of skipped it. Not only was it fairly nonsensical, but it also didn’t fit into the otherwise nicely depicted history at all. But Ubisoft wanted it this way and they sold it this way. However, the story of the film didn’t work at all although it offered good quality fimmaking, which could represent a pretty good experience. In the end, the only thing I got from the movie were the historical action sequences, which were absolutely perfect. The director of cinematography and the editor probably puffed a joint or two, but it was still within reasonably bearable limits. It was probably also because the film itself wasn’t too cheap so they didn’t have to patch things up and cover them up with a cheaper budget. Some of the stunt shots that I saw were really great. It’s a pity though that Fassbender and Cotillard didn’t get a chance to show off their acting. Emotions – none. Dialogues – horrible. And the plot? What was the whole thing actually about and what is it that was going on in there the entire time? Well, as I said the action was good, but the rest was pretty bad.
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This film has character. On the one hand, it goes as far as possible against the fans of the game franchise, but at the same time it tries to make a distinctive artistic concept of the Assassin universe. The passages set in medieval Spain are visually stunning, the depiction of the Animus is boldly different (and better!) than we know from the games, and while it left me emotionally cold, I appreciate the personality that Kurzel brought to the table, and I can sense from it his desire to make the best possible film that isn't just a boring descriptive retelling of the game. The highly artistic Kurzel simply entertains me. It's a pity that people won't appreciate his honest approach and that there won't be a sequel.
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Annonces