Résumés(1)

Paul, scénariste raté, accepte de prendre Jack en auto-stop après que celui-ci l’ait tiré d’un mauvais pas... En guise de remerciement, Paul lui propose également de l’héberger. Ce que Paul ne sait pas, c’est qu’il vient de faire entrer le loup dans la bergerie… (Mediawan)

Critiques (3)

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kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Actually, it wasn't bad at all, and the central duo of Banderas and Rhys Meyers appealed to me. They fit well together, especially in the sense of their mismatched dynamic. The finale isn't bad either; there's something unexpected about it, although I won't claim it's outright great. Nevertheless, I believe it's a pretty good way to make a thriller that can be enjoyable. ()

Malarkey 

Toutes les critiques de l’utilisateur·trice

anglais Antonio Banderas is playing with a human soul here. Not only is Jonathan Rhys Meyers not playing by the rules but Antonio, as a writer, is clearly dominating here and he apparently doesn’t know what to do with his recently started book. So, he needs to vent his anger a bit and come up with a great ending. It is a pity, though, that what Antonio enjoys, the viewer doesn’t. The recluse writer is a very gratifying topic but with an approach like this, he will, at best, retire. ()

Gilmour93 

Toutes les critiques de l’utilisateur·trice

anglais A tiny bit of a crazy Irish cat vs. a Spanish gray mouse with a tendency to suckle. The question is who in the mountain cabin stands with their back to the corner, and whether there's a fox and a hoopoe with them! Antonio Banderas and Jonathan Rhys Meyers bring a craftsman’s touch to their roles, but I had the same feeling of inauthenticity from the atmosphere as when creators try to turn Italy into the United States with props like traffic signs and red ketchup containers. Twists didn’t bother me. Alcohol is clearly not just a pleasure, but also a conveyance to the muse. Never mind that with that one finger, the script will be finished in about ten years. ()