Réalisation:
John Michael McDonaghScénario:
John Michael McDonaghPhotographie:
Larry SmithMusique:
Patrick CassidyActeurs·trices:
Brendan Gleeson, Chris O'Dowd, Kelly Reilly, Aidan Gillen, Dylan Moran, Isaach De Bankolé, M. Emmet Walsh, Marie-Josée Croze, Domhnall Gleeson (plus)VOD (3)
Résumés(1)
La vie du père James est brusquement bouleversée par la confession d'un mystérieux membre de sa paroisse, qui menace de le tuer. Alors qu'il s'efforce de continuer à s'occuper de sa fille et d'aider ses paroissiens à résoudre leurs problèmes, le prêtre sent l'étau se refermer inexorablement sur lui, sans savoir s'il aura le courage d'affronter le calvaire très personnel qui l'attend... (20th Century Fox FR)
(plus)Critiques (5)
Contrairement au précédent film du réalisateur de L'Irlandais, Il y a moins d'humour dans le drame appelé Calvary, mais il y a quand même des éléments comiques si vous avez le sens de l'humour noir et êtes au moins un peu cynique. Brendan Gleeson devrait rapidement recevoir un prix car sa performance dans le rôle principal est excellente. Les autres acteurs ne sont pas en reste car ils ont tous des rôles intéressants - tous les personnages sont en effet très bien écrits et le film peut se vanter d'avoir une histoire solide construite avec soin, des dialogues intelligents avec une dimension philosophique et un scénario intelligent qui ne laisse rien au hasard. Ce qui est également le cas pour le réalisateur lui-même.
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The director and Brendan Gleeson did it again. They mesmerized me with a movie that may not necessarily be funny, but that is really dark and above all contains the amazing atmosphere of the Irish countryside. But it’s not only about the beautiful landscapes that you get to see in the movie. It’s also about the story, which is essentially very simple and straightforward, but which definitely provides a lot to think about. And last but not least, I mustn’t forget the actors. While in the USA some TV show actors have trouble switching from a comedy role to a serious one, here Dylan Moran and Chris O’Dowd do it with a flick of their finger. Obviously, I shouldn’t forget about the very interesting and likeable Kelly Reilly or Aidan Gillen. They all put in divine performances and Brendan is in charge of all that. I don’t know about you, but it’s been a long time since I saw a movie where I’d fall for so many characters at once and that would sweep me off my feet with the story and the atmosphere of the setting. An absolutely clear five-star review and not a star less than that.
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I'd much rather see the more famous one of the McDonaghs to make it as a theater performance, since although the other one nicely tries to take the biggest Irish skeleton out of the closet using reasonable means, but he is not very successful in doing so at the end of the day. On the one hand, it seems subversive, but it still has too much respect for the seriousness of the topic. That wouldn't happen to the "more famous" one. In any case, it can often be impressive in detail, but as a whole it is basically exactly what you would expect.
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The subject matter, the cartoonishly overwrought characters, and the structure of the scenes make this a classic nightmare. And in this case I mean that catechetically and existentially. Which strikes me as a pretty compelling testament to writer/director McDonagh's abilities. "I didn't realize how much you hate me." "I don't hate you. I'm saying you're have no integrity. Which is the worst thing I can say about anything."
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A good film that mainly stands out because there are interesting characters. Brendan Gleeson shows that he can handle the lead role perfectly on his own. But what is important is the whole environment and, of course, how the characters behave and what they say. It's as if the life of a priest - but not necessarily just a priest - is truly a calvary that not everyone can endure.
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Annonces