Réalisation:
Ryan CooglerScénario:
Ryan CooglerPhotographie:
Rachel MorrisonMusique:
Ludwig GöranssonActeurs·trices:
Michael B. Jordan, Octavia Spencer, Chad Michael Murray, Kevin Durand, Ahna O'Reilly, Melonie Diaz, Chris Riedell, Christina Elmore, Ariana Neal (plus)Résumés(1)
Waking up on the morning of new years eve 2008, Oscar feels something in the air. Taking it as a sign to get a head start on his new year resolutions, he crosses paths with friends, family and strangers on his quest to be a better person. As he celebrates the New Year and a fresh start, one truly shocking, tragedy shakes his community and the entire United States to its very core. Both delicate and devastating, Ryan Coogler's astonishingly assured directorial debut is a powerful and deeply moving, must-see hit. (Altitude Film Distribution)
(plus)Critiques (5)
Cette histoire à première vue banale (avec une fin tragique) est basée sur des événements réels de la vie d’un homme noir ordinaire et de sa famille. Mais la qualité du rendu est telle qu’il est difficile de ne pas être touché et de ne pas avoir les larmes aux yeux. Michael B. Jordan est excellent, tout comme le réalisateur.
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A black fairy tale with a bad ending. A professionally made movie based on real events that’s afraid to go deeper and instead sticks to template characters, going against most viewers, and with simple emotions. It is very convincingly made, so I’m not complaining much. Your average four-star film.
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The Sundance Film Festival audience wept and sent us Czechs a film that is supposed to make us feel that human rights are a bit out of the way overseas when different ethnic groups start to get at each other. Sorry, folks, but what I see in this is a perfectly calculated idyll about a reformed black man who got on the wrong train. The actors are without question divine and the direction is actually very assured, but I simply refuse to accept the pressure to ring tears out of the audience.
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I admit that I don't like activists for their one-dimensional view of complex issues. Activism, at the very least, flattens and hinders discussion; I simply look at its expressions with suspicion. However, I don't primarily blame Fruitvale Station for its activist stances and emotional manipulation; the film simply falls into the category of engaged cinema. Although I somewhat identify with its goals, I also note that I haven't seen a title for a long time that so blatantly owed its victory in the festival battle to its subject matter. It is simply too unexciting and unremarkable, lacking emphasis and provocativeness, an incorrect rebellion in the style of Spike Lee. I don't find any directorial or screenwriting mastery here either. I'm giving three stars this time more out of courtesy and for the subject matter. Overall impression: 50%.
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This film plays it safe, and its asset is the fact that it is essentially a dramatized record of real events. It is a documentary that follows the events leading up to an unnecessary death. From the first scene, which was captured in real life when an innocent man was shot, it is clear that this film will not play any games with you; it goes straight to the point. It is precisely because of this opening scene that your insides will gradually tighten, and you will quietly ponder as you realize that the finale is approaching. It is unfair, but all the sadder, that these things really happen. And the responsibility isn't that great...
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Annonces