Réalisation:
Michael NoerPhotographie:
Magnus Nordenhof JønckActeurs·trices:
Gustav Dyekjær Giese, Oscar Dyekjær Giese, Lene Maria Christensen, Annemieke Bredahl Peppink, Nicholas Westwood Kidd, Roland Møller (plus)Résumés(1)
Nordvest est l'un des quartiers multiethniques les plus pauvres de Copenhague. Casper, jeune homme de 18 ans, y vit avec sa mère, son petit frère et sa petite sœur. Il s'acharne à joindre les deux bouts en vendant des biens volés à l'un des chefs des gangs du quartier. Quand le crime organisé arrive à Nordvest, la hiérarchie au sein du quartier change et Casper y voit une chance de monter en grade. Bientôt, il est projeté dans un monde de drogues, de violence et de prostitution entraînant son frère dans son sillage. Alors que les choses s'aggravent, l'aire de jeu de leur enfance devient un champ de bataille. (BAC Films)
(plus)Critiques (8)
A northern social gangster flick that’s minimalistic, realistic and brutal. The comparisons with Refn’s Pushers are warranted.
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Ce film est un classique du cinéma danois, ça ne fait pas l’ombre d’un doute. Cru, dur, triste et précis dans sa mise en scène et le jeu de ses acteurs. Et il a le mérite de démontrer qu’il est possible de filmer une histoire dure sur la pègre sans avoir recours à des scènes de sexe et en limitant fortement la violence – une violence par ailleurs non explicite.
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A proper Danish torture by the human factor. Nordvest is, in my opinion, another of endless series of Scandinavian dramas, ruled by depression, sadness, the rise and the fall of two identical brothers who were born to a mother living in the lower Danish class. I really didn’t want to believe that anyone in Denmark could be doing so badly, but after finding out where Nordvest is and what makes it famous, I’m no longer surprised that the Scandinavian countries are gradually losing their status of safe countries. And as chance would have it, the ones responsible for this human sadness are a bunch of immigrants. A coincidence?
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Refn's Pusher on speed... Noer is not particularly original, but economical work with believable characters, a totally flowing script, meaningful use of colors / space and dynamic cuts / and the sharp jumps between environments are very cool. At this year's Karlovy Vary festival, I didn't see a more entertaining film with bigger drive, and it's also not a banal thriller, but rather a Refn-style empathetic view of the other side of the law. Noer can obviously make do without his colleague Lindholm - it is clear that these two are definitely moving to the forefront of Danish genre films.
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Michael Noer serves up typically stark, cold and unflinching filmmaking from the North, and the film is most reminiscent of Refn's Dealer. Copenhagen's underworld is close to London's, and the film's unpleasant atmosphere breathes from every corner. Roland Møller as the prototypical bastard is again excellent and Gustav Dyekjær Giese also gives a very decent performance. I love these films, so I'm very satisfied. 85%.
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A standard rise-and-fall gangster story, this time enhanced with the social setting of Danish suburbia and an unusually rendered motif comprising the polarity of a mafia family and an actual family. The film is also elevated by the cast, led by two real-life non-actor brothers, who give the film an atmosphere of authenticity and immediacy.
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An incredibly paced soc-thriller that other directors could learn from about how to make the most out of a little. Short scenes, their constant enrichment with sub-elements that set them apart, raw naturalism, and clever incorporation of formal shortcuts into otherwise almost dogmatic direction. Plus, I think a few more films and the term "Noer-esque ending" will make it to Wikipedia. Like his previous film R, this is bleak, gray, and yet it doesn't forget the viewer. I'm looking forward to seeing Noer tackle something bigger than "from zero to morgue-o" and give him the maximum credit.
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Michael Noer serves the audience another raw and extremely believable story from the Danish underworld. Like the drama R, Northwest also is imbued with an extremely disturbing atmosphere from which it is impossible to escape, just as the protagonist cannot escape from the entangled situation into which he has fallen thanks to his desire for money and the vision of a better life. I applaud the director for being able to make a gritty film even without streams of blood, which is still hard to watch. (75%)
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Annonces