Réalisation:
David DobkinPhotographie:
Janusz KaminskiMusique:
Thomas NewmanActeurs·trices:
Robert Downey Jr., Robert Duvall, Vera Farmiga, Billy Bob Thornton, Vincent D'Onofrio, Jeremy Strong, Dax Shepard, Leighton Meester, Ken Howard (plus)VOD (4)
Résumés(1)
Fils de magistrat, Hank Palmer, grand avocat, revient dans la petite ville de son enfance, où son père, qu'il n'a pas revu depuis longtemps, est soupçonné de meurtre. Il décide alors de mener l'enquête pour découvrir la vérité et, chemin faisant, renoue avec sa famille avec laquelle il avait pris ses distances ... (Warner Bros. FR)
Critiques (8)
La salle d'audience et l'incident qui s'y déroule ne sont qu'un prétexte pour un drame familial dans lequel le magnat Robert Jr. renoue des liens avec la famille bourgeoise dirigée par Robert Sr. Les drames juridiques tels que Le Droit de tuer? ou L'Idéaliste ne peuvent donc pas être comparés. Le Juge se situe à mi-chemin entre eux et le sentimental Simples secrets. Les deux Robert jouent de manière excellente. Le personnage de Junior est parfaitement écrit pour lui et le senior le gère de manière brillante. Certains personnages secondaires (la fille sexy de Vera Farmiga, l'avocat inexpérimenté Dax Shepard) ralentissent inutilement le film. Ils n'ont pas suffisamment d'importance dans l'histoire et ne font que perturber le développement de la relation complexe et cruciale pour le film entre le fils et le père. Par contre, l'intéressant avocat interprété par Bill Bob Thornton aurait pu jouer un rôle plus important. La musique autrefois novatrice et noble de Thomas Newman (Frank Darabont, Sam Mendes) devient un synonyme cliché de « regards dans l'âme » sentimentaux de premier plan pour les spectateurs consumériste. Ce qui finit par être également le cas pour Le Juge. Un bon film, mais son équipe de créateurs mériterait d'être dans une ligue supérieure.
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En gros, Le Juge est un film familial thérapeutique pile poil à la frontière entre le drame mainstream et le thriller pour public averti. Presque tout le monde s’y retrouve grâce à la présence de stars et au soin de l’exécution en général. Difficile de lui reprocher quelque chose et je me demande juste dans quelle mesure le ton aurait différé si le rôle principal n’avait pas été joué par « l’amuseur » Robert Downey Jr. Donc après l’avoir vu une fois, je suis satisfait, même si j’aurais pu l’imaginer comme un drame solide et bien plus compact, comparé à la longueur retenue – mais je comprends que dans ce cas-là, la plupart des spectateurs s’en seraient désintéressés.
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The only thing this film can offer is good acting. Everything else just undermines it. Firstly, it tells a story about judges and for the most part it takes place in the courtroom. Which doesn’t have to be a drawback in itself, had it been well made. There is only one real courtroom moment, but it’s only at the end of the movie – it represents its climax and is also the only good moment this movie has. Secondly, a huge issue with this movie lies in its running time, which is too long given how little happens in there. Already in the first fifteen minutes you’ll understand the situation and how it will develop. Then it all, surprisingly, happens exactly as it would in real life and the audience has no choice but to wait for the ending. The ending is fortunately really good and shows the acting qualities of Robert Downey Jr., Robert Duvall and Billy Bob Thornton. Unfortunately, you have to suffer a hundred minutes of boredom to see this.
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Very good oscillation between a court process and a family drama about establishing a relationship between small town people and city dwellers – portrayed in a graspable and clear enough way, even for the average viewer. You won’t get bored in court and will the family scenes because their timing scenes is great, and you will fully enjoy those few rough peaks of the story. It's a shame about the irrelevant script deviations (the supporting characters), the slightly excessive much sentimentality at the end, and Billy Bob Thornton's unused potential, because his first scene in gives you goosebumps (yes, that scene with the folding glass). Nevertheless, the film achieves the main thing it was supposed to achieve. It's believable, sober, and true to life. Brilliant performances.
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A very, very long film, completely unnecessarily so. Although at first glance it would seem that there are a lot of characters to tell a story about, the opposite is true and it's still all about the father and son, with the others being more or less just unnecessary or unused ornaments (Billy Bob Thornton in particular). In addition, I saw The Judge in a failed Czech version, with Robert Duvall speaking to me in the completely inappropriate voice of Jiří Štěpnička (who, unlike his fellow "dubbers", at least tried to act). Two and a half.
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The Judge is a quality film that deals mostly with real emotions and is adorned with truly brilliant performances that make it as smooth to watch as the aerial pirouettes of pink elephants after taking LSD, but with the arrival of the closing credits, it leaves us with the feeling that this unique creative line-up deserved something more than this kind of easygoing filmmaking. Downey's scatterbrained egotistical character is irresistible, but unfortunately he represents the only rebellious and prominent element in an otherwise precisely measured process where the fates of the supporting players are irrelevant, while the development of the dramatic relationship between the two central characters sets a cinematic precedent. Duvall gives a terrific performance, of course, but Downey is the one that’s more visible and adds more juice to the story. Everything proceeds and ends as it should, but the forcibly pushed twist with the label "family above all" just doesn’t fit into the overall context full of heartless judgments, remorse and generational disputes. Or maybe it manipulates the witnesses quite blatantly. 70%
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When I actually realize what the movie was about (arrogant big city lawyer returns to his armpit of a hometown to reminisce and bring closure to some of the stages of his awkward youth, mend his relationship with his family, and ultimately defend his father, through which he finds his way to him), I suddenly realize what a horribly murderous 140 minutes it could have been. Except that The Judge has one big notch, and that's Robert Downey Jr. playing Tony Stark again, except with an R-rating so he can swear like a heathen. Besides, his coked-up, neurotic posing, I confess, has never ceased to amuse me. However, I had the feeling all along that the pair of writers were blatantly fighting with each other during the writing process. They often tackle the old American family drama standards, but they take a slightly different approach and sometimes cleverly help themselves in quite original ways, as in the scene of Downey and Duvall arguing over a childhood scrape, which might not have worked so intensely if a hurricane hadn't raged by. On the other hand, again, some of the characters (most often the young lawyer) are in the film to comment on the obvious, and thus advise the viewer. Anyway, Duvall will not be up for an Oscar.
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In addition to enjoying movies that explore relationships between characters you grow to love, in the case of The Judge, I also appreciate the fact that it's a great combination of drama and humor. It's not outright slapstick humor, but some scenes are appropriately light-hearted, just as the plot is lightened by certain characters. And yet it remains believable enough.
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Annonces