Réalisation:
Danny BoyleScénario:
John HodgePhotographie:
Anthony Dod MantleActeurs·trices:
Ewan McGregor, Ewen Bremner, Robert Carlyle, Jonny Lee Miller, Kelly Macdonald, Anjela Nedyalkova, Shirley Henderson, Irvine Welsh, Simon Weir (plus)VOD (4)
Résumés(1)
D'abord, une bonne occasion s'est présentée. Puis vint la trahison. Vingt ans plus tard, certaines choses ont changé, d'autres non. Mark Renton (Ewan McGregor) revient au seul endroit qu'il ait jamais considéré comme son foyer. Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller) et Begbie (Robert Carlyle) l'attendent. Mais d'autres vieilles connaissances le guettent elles aussi : la tristesse, le deuil, la joie, la vengeance, la haine, l'amitié, le désir, la peur, les regrets, l'héroïne, l'autodestruction, le danger et la mort. Toutes sont là pour l'accueillir, prêtes à entrer dans la danse... (Sony Pictures Releasing France)
(plus)Vidéo (20)
Critiques (10)
C'est génial de les retrouver après si longtemps. Leurs personnages sont tout simplement formidables et l'alchimie entre eux fonctionne toujours. La scène Renton/Begbie dans les toilettes est la meilleure du film. De plus, Boyle est un éternel maestro de la peinture et créateur de clips vidéo. Mais… Il était évident pour tous que le scénario, le motif de leur nouvelle rencontre et tout ce qui en découle, était faible. Que cela les rassemble de force. Ce qui ne me dérangerait pas plus si le premier opus n'était pas aussi culte pour moi, et si je ne considérais pas Boyle comme un artiste qui n'a pas besoin de telles choses.
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A bunch of unlikeable characters return to the scene and it's pretty boring. Instead of drugs, they drop a couple of beers at most, the humour has disappeared, there are no interesting scenes and the fact that I had to see the film three times to get a positive report card doesn't do much either. 50%
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I didn't expect much from it, I didn't really have much of a desire to know what was happening with Renton and his gang at the age of forty-five. In the end, I am pleasantly surprised. The question is whether the fans will see it the same way. T2 Trainspotting doesn't really have much in common with the original Trainspotting. There's Edinburgh, the old gang, drugs, a great soundtrack, and Danny Boyle's unique and captivating direction, but the atmosphere is quite different this time. Instead of carefree young lads who don't care about the future, there are depressed wrecks who have long realized that they've completely fucked up their lives and that it was good while it lasted. And the only thing they have left are memories, nostalgia, and old acquaintances who have hardly changed at all. T2 Trainspotting is actually quite sad, but it's a truthful film about how one can't escape the past and oneself, and that one can either give up or take life as it is, and as such, it works brilliantly.
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Trainspotting was like jumping on an express train that goes nowhere. T2 is like waiting for a train that has gone by a long time ago. The fact that I consider this futile nostalgia and cycle to be thematized as one of the main elements of the plot and the new destinies of the old characters, is a mitigating circumstance, not redemption and quality. It's like sitting for two hours with a raffish guy who expressively explains what the ride was like in the 1990s. You listen, but in the end you are glad that you will (hopefully) never see him again.
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I don't know what Danny Boyle intended to do with this sequel to the original Trainspotting, but unfortunately, he didn't manage to get rid of the nostalgia that tends to run through all sequels, perhaps across all cinemas around the world. And the more years since the first movie, the more nostalgic these sequels tend to get. Trainspotting included.
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Annonces