Exodus : Gods And Kings

Une épopée biblique sur Moïse, dans laquelle il n'est pas nécessaire d'analyser les personnages et leurs relations, car nous les connaissons tous très bien. Une belle conception épique avec des extérieurs époustouflants et de beaux costumes, ainsi qu'une représentation spectaculaire des légendaires plaies ou de la traversée de l'océan font de ce film un divertissement. Il manque de profondeur. Je suis athée et les événements bibliques ne suffisent pas à eux seuls à m'enthousiasmer. Ils auraient dû servir de base de réflexion pour une représentation sensible de la motivation des personnages et des difficultés d'une étape historique cruciale pour l'humanité, de ses problèmes politiques et ethniques. Tout cela fait défaut à Exodus, ou est simplement survolé. Une œuvre d'importance qui est moins divertissante que la bêtise Dracula Untold. (28/12/2014)

At first, I thought Scott was going to do the bidding of the Jewish lobby, which has long since failed to let the viewing public be moved by its bitter fate through a narrative sandal. Yet he goes about it in a surprisingly rational way, and so while the pragmatic appreciation of the seven plagues of Egypt by Pharaoh's croaker is still laughable, Moshe's revolution, in which he is on the edge of personal madness, is no longer feigned, and the unorthodox vision is definitely clamped at the bottom of the Red Sea, with even the slight shortcoming (the not-quite-functional portrayal of the bond between the "brothers," which is fortunately saved by both characters; and 20 minutes more would have helped) receding and both ordinary viewers and the those familiar with the literary work will be satisfied. (20/07/2015)

Exodus is a classic historical film by Ridley Scott, which I needed after the terrible Counselor. It contains an epic story, offers brutal war scenes, and sometimes incredibly shot sequences that will haunt me in my sleep for a long time. Maybe it's just those ten plagues of Egypt. It also features quality music and great performances by the actors, and there is only one thing bothering me about the movie. And that is the fact that if Ridley released the four-hour version in theaters, everything would probably make sense. I went to the bathroom about a third of the way through the movie in the theater. I was gone for about a minute and after a minute I was shocked at how the story had progressed. I probably hit a bad moment. However, at times it is noticeable that Ridley had to cut to fit at least two and a half hours. Nevertheless, all of this doesn't change the fact that I can't find any other criticism of this movie. I don't understand the local expert opinions, which all seem to agree like copycats that this is one of the worst Ridley Scott movies, but they are still glad that it is at least some movie, because no one else could have done it better. It would be better if everyone formed their own opinion on it and I will be perfectly satisfied. (04/01/2015)

We can clearly see in every other scene, how much the movie was edited and it is more that obvious that Ridley has a much longer version of it in his drawer. Without this, it would have been even better. But even in its current not polished form, it is exactly what one would expect from it. In other words, it is a truly magnificent and handcrafted adaptation of one of the most impressive stories ever. The snag is mainly in the form of the already mentioned cinema editing, which should have either been shorter and free of all those ambitious subversive motives and themes (Moses' blinded madness, his unbelief, vengeful (not)God of preschool age, emphasis on the non-mythological line, doubting Joshua, Macbeth-like Sigourney, much more sympathetic Egyptians led by the pharaoh, etc.) and simply being an "precise" adaptation of the well-known or should have been even longer and should have been more focused on the above-mentioned and purely sympathetic ambitious subversions. In its current form, however, it is unfinished and halfway, because the epicness of Egypt, individual wounds and the exodus itself were prioritized in terms of footage. Which is a letdown on one hand, but on the other hand it is very enjoyable to watch. That is for sure. (26/06/2015)

Definitely better than Darren Aronofsky's Noah, but still, Ridley Scott could have gotten more out of it. Exodus is an epic and visually arresting sensation that is rather empty, cold, emotionless and with an excessive running time, that's what slightly hindered my full experience here. For an hour and a half nothing interesting actually happens apart from Moses' wanderings around the world, this could definitely have been cut down and instead more time spent on the Egyptian plagues, which are over rather quickly, but there can be no fault with them they are perfectly shot, gripping and breathtaking. The final tsunami will literally make your mouth drop, I've never seen anything better. It's amazing how technology is moving forward, it's a pity the pace didn't get more of a push on the throttle, it might have made me melt. Must see on big screen!!! 75% (31/12/2014)