Réalisation:
Matt ReevesPhotographie:
Michael SeresinMusique:
Michael GiacchinoActeurs·trices:
Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn, Gabriel Chavarria, Karin Konoval, Terry Notary, Sara Canning, Max Lloyd-Jones (plus)VOD (5)
Résumés(1)
César et les Singes sont contraints de mener un combat dont ils ne veulent pas contre une armée d'Humains dirigée par un Colonel impitoyable. Les Singes connaissent des pertes considérables et César, dans sa quête de vengeance, va devoir lutter contre ses instincts les plus noirs. Au terme d'un périple qui le conduira à un face à face avec le Colonel, les Singes et les Humains vont se livrer une guerre sans merci à l'issue de laquelle une seule des deux espèces survivra - et dominera la planète. (20th Century Fox FR)
(plus)Vidéo (13)
Critiques (15)
Avant la sortie du volet suivant au cinéma, je me suis rendu compte que je n'avais pas encore vu le dernier de la trilogie de Matt Reeves. C'est de loin le plus sombre, le plus triste et le plus tourmenté. La description en une phrase sur Disney+ promettant une bataille épique entre singes et humains me paraît plus qu'erronée ; je trouve que c'est plutôt très dépressif et qu'on se réjouit d'arriver à la fin. Mais l'attente est une bonne chose – au cinéma, l'expérience doit être tout autre. Soit dit en passant, je suis content d'avoir revu Woody Harrelson dans un rôle différent de celui d'un rustre mâchouillant, à moitié ivre ou grimaçant. Et je pense avoir pu deviner d'où sort l'héroïne principale du nouveau film ; tout s'emboîte parfaitement.
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Ne vous attendez à aucune « guerre », cela ne dure que quatre minutes. Le film est un voyage dramatique, lent et sensible, axé sur des personnages variés et leurs interactions émotionnelles, le tout dans un environnement naturel parfaitement conçu. Tout comme dans le dernier Livre de la jungle, la capture du mouvement des visages de singes éclipse complètement les acteurs réels (dont W. Harrelson). Leur rendu dans les détails de la peau / du pelage est technologiquement plus avancé que dans La Planète des singes : l'Affrontement. Incroyable.
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They weren't kidding overseas, the third Planet of the Apes is another great spectacle. Matt Reeves continues the tone set by the previous installments and delivers a film that, while nearly two and a half hours long, isn't afraid to slow down and make time for scenes where the characters just sit around, talk, and you find out little details about them that make you worry about them instead of just waiting for the final set-piece. While last time the apes and humans were given similar space, this time it's almost all about Caesar, but Woody Harrelson has enough space to shine next to the digital (and of course amazing-looking) animal characters. I can imagine that the finale, with its slightly unexpected concept, won't quite suit some people, but paradoxically it makes all the ideas that have been hinted at several times throughout the film come through. Overall, War for the Planet of the Apes is exactly what we expected and hoped for. Plus, it confidently references the Charlton Heston version more than once, giving answers to questions one might not have thought to ask. A good and clever blockbuster. There's bloody little of that in cinemas..
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My disappointment with the last film was so great that I avoided the trailers for the third one, feeling their uselessness. However, Reeves was either kept sedated or some brave producer really believed him, and I can hardly resist getting excited about arguably the boldest summer blockbuster in years. The opening action is still very forced, but then for the next hour, four monkeys, whose CGI rendering is a CGI reality approaching perfection, track a military unit through a snowy landscape at a slow but cinematically precise and deliberate pace. All the while, they are driven by the best possible cinematic engine, i.e., the desire for revenge. It was clear that all would be forgiven and I just prayed that it would keep going like this, as Michael Giacchino conducts the minimalist retro score and the cinematography flirts with the turn of the sixth and seventh decades of the last century. And that’s not all. Woody Harrelson varies the best possible creation of khaki madness spewed from the heart of darkness, and after the famous dialogue with Caesar, the film jumps on the dark wave of the erratic nature of desired good and the lure of ambiguous evil to bring it to an epic end. Even amidst the cheesy interludes and pathos of heroic self-sacrifice, it still keeps a grim face that relies on heroes who are no longer amusing apes who can do funny gestures, but solid figures whose emerging evolutionary supremacy is not to be doubted.
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Four stars out of love for Caesar and out of respect for Matt Reeves' courage to make a film that is largely based on silence, gestures and slowness. Unfortunately, the attempt not to rush the culmination of the trilogy leads to the film completely sleeping through it. A strong opponent such as Koby is missing (and therefore the film must also evoke him at certain points, at least as a phantasm), and Woody Harrelson is very doll-like. It’s a bit of an easy template, a light version of Colonel Kurtz deprived of real demons. The introductory part is also captivating thanks to the inventive minimalism of Michael Giacchino and Seresin's detailed camera with variable depth of field. Unfortunately, the prison break in the second half drags on - it lacks energy and the supporting dilemma. The unraveling itself is imaginative and in the key of the entire trilogy, but the promised ape-apocalypse is not nearly as fatal and overwhelming as the trilogy imaginatively transmitting humanity to the monkeys deserves. The triumph is the incredibly detailed and precise animation and the acting of everyone involved. A slight disappointment. [70%]
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Photos (94)
Photo © 20th Century Fox
![La Planète des Singes : Suprématie - Film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/347/161347098_4969f3.jpg)
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