Résumés(1)

Le marquis de Sombreuil recherche la fille d'un ouvrier qu'il a involontairement tué. Avec l'aide d'un forçat, il pénètre dans les bas-fonds et parvient à délivrer la jeune femme, Fleur de Marie. Mais entre temps, sa maîtresse s'est alliée avec le baron de Laussignac qui monte contre lui une odieuse machination. Un grand film d'aventures et d'amour au 19ème siècle, d'après le célèbre roman d'Eugène Sue. (Gaumont)

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Critiques (2)

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Malarkey 

Toutes les critiques de l’utilisateur·trice

anglais A charming slice of vintage French cinema set in the romantic Paris of yesteryear. While the story occasionally drifts into nonsensical territory for the sake of romance, the film’s atmosphere makes it a delight to watch. The depiction of period Paris is mesmerizing, even if the plot feels a bit naive at times. But hey, it’s 1962 — what more could you ask for? ()

Gilmour93 

Toutes les critiques de l’utilisateur·trice

anglais The Marquis de Sombreuil, a good-hearted rake and highway pirate, under the weight of a promise and his own remorse, is forced to infiltrate the Parisian underworld to clear his name, tarnished by intrigue, and rejuvenate his stable by rescuing a fragile girl from the clutches of a pimp. Though a few fiery gypsies and the Scarlet Pimpernel were missing, the statuesque Jean Marais filled in for them. He’s determined and brave, crushing enemies with steel fists, his kicks faster than Jean-Claude Van Damme’s between Lionheart and Double Impact, and when he heroically saves poor souls from the fire without a trace of soot left on him, you get the sense that the flames lick him not just by their nature. True, the villain Lansignac could have suffered more before his demise, but the romantic viewer's soul shouldn’t be too greedy. ()