Réalisation:
Albert HughesScénario:
Daniele Sebastian WiedenhauptPhotographie:
Martin GschlachtActeurs·trices:
Kodi Smit-McPhee, Morgan Freeman (narrateur), Natassia Malthe, Leonor Varela, Jens Hultén, Jóhannes Haukur Jóhannesson, Mercedes de la Zerda (plus)VOD (4)
Résumés(1)
En Europe, il y a 20 000 ans, durant l'ère Paléolithique supérieur, un jeune homme part braver une nature dangereuse et inhospitalière afin de retrouver le chemin de sa tribu. (Sony Pictures Releasing France)
Vidéo (6)
Critiques (7)
Une intrigue de survie aussi banale et peu originale aurait suffi si le film avait été physiquement pris dans un environnement naturel et rude, à la manière de The Revenant. Mais c'est totalement le contraire ici - un coloriage artificiel et kitsch, dans lequel il n'y a pas même un coucher de soleil réel. Dans la case intitulée « conte d'aventure tourné devant un écran vert », cela peut passer - ce n'est pas aussi mauvais que le 10,000 d'Emmerich et les acteurs font preuve d'émotion - mais toute cette artificialité autour d'eux m'a vraiment dérangé. Sans parler des plans panoramiques et des accélérations temporelles dignes d'une publicité grandiose ou d'un jeu vidéo. Un film dans lequel je dois me sentir perdu et impuissant, tout comme le héros, dans un environnement cruel et inhospitalier doit se faire autrement.
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It could have been a bigger hit, it feels slightly like a smaller production, but I was surprisingly immersed in the plot and nicely drawn in. It's actually a period survival film and the emergence of the domestic dog at the same time. The harsh B.C. era is nicely depicted and nature is used to its fullest including animals (wolves, tigers, hyenas, bisons, vultures). The main character is likeable, I also liked the music, and the hunting scenes have a lot of pizzazz, so enough for an above-average rating. 70%
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Sometimes a more grown-up Disney movie, sometimes an uncompromising fight for survival, but throughout the entire running time, it's an avalanche of emotional decisions and breathtaking visual scenes. Almost every other shot of this (almost) inaccessible version of Brother Bear deserves its place like a picture on the wall. And I don't care deeply that it's not a groundbreaking story and that the dialogue sometimes comes across as pathetic phrases. Alpha tells a tale of such archetypal and almost life-giving stuff that the resulting avalanche of emotions loudly drowns out any criticism.
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Who would have guessed that the creators can make a prehistoric story into one of the nicest films about the friendship of a man and a dog. A nice surprise, where the bar is unnecessarily lowered by its beginning, but once a young boy and a wolf enter the stage, then every scene features a beautiful shot and brings you a dose of emotions.
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This flop about how the friendship between man and wolf was formed thousands of years ago turned out to be a surprisingly successful thing. Alpha is a family adventure that isn't afraid to be a little grittier than we're used to with films like this, it manages to be engrossing and, above all, incredibly beautiful to look at. It is brought down by the second half, in which the gradual rapprochement between human and animal protagonists is, after all, too schematic and predictable.
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Annonces