Réalisation:
Kiyoshi KurosawaPhotographie:
芦澤明子Musique:
林祐介Acteurs·trices:
長澤まさみ, 長谷川博己, Ryūhei Matsuda, Mahiro Takasugi, 恒松祐里, 前田敦子, Masahiro Higashide, Shinnosuke Mitsushima, 児嶋一哉, Kyōko Koizumi, Ken Mitsuishi (plus)Résumés(1)
Alors que Narumi et son mari Shinji traversent une mauvaise passe, Shinji disparaît soudainement et revient quelques jours plus tard, complètement transformé. Il semble être devenu un homme différent, tendre et attentionné. Au même moment, une famille est brutalement assassinée et de curieux phénomènes se produisent en ville. Le journaliste Sakurai va mener l’enquête sur cette mystérieuse affaire. (Eurozoom)
(plus)Vidéo (5)
Critiques (3)
A relatively uninteresting film about how aliens want to conquer the Earth. And yet you can't expect any alien technology. Basically, it just strikes me as a satire on contemporary Japanese society, where there are phenomena that need to be eradicated. Unfortunately, the whole thing is bland, too long, and even the interesting actors can't save it. It lacked the drive to really enjoy it. And it basically ended up like Murakami's 1Q84 – it's really just a romance hidden under a layer of grime.
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Invasion of the thieves of my time. An extremely ambitious sci-fi, which works with an interesting genre element, the overlap of which is purely cognitive-philosophical, but ends with a mixture of stretched scenes, cheesy melodrama and ugly tricks. I wasn't sleeping during anything in Cannes this year, but this cost me all my strength to finish watching without closing my third eye. Kurosawa is a master of literality where it is necessary to direct instead.
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This film almost begs to be a special effects spectacle, but the Japanese filmmakers had a lot of surprises in store this time, as this is a film that ultimately played on relative realism, with more psychology and the human factor coming into the plot. Or what an alien attempt to take over the Earth might look like.
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Annonces