Réalisation:
Mario BavaScénario:
Mario BavaPhotographie:
Mario BavaMusique:
Stelvio CiprianiActeurs·trices:
Claudine Auger, Luigi Pistilli, Claudio Camaso, Chris Avram, Brigitte Skay, Isa Miranda, Renato Cestiè, Leopoldo Trieste, Laura Betti (plus)VOD (1)
Résumés(1)
La Baie est un magnifique domaine, convoité par tous. La propriétaire, une vieille comtesse paralytique, refuse de vendre car elle ne veut pas le voir transformé en station balnéaire. Ventura, un architecte sans scrupule, met au point une machination criminelle pour s'emparer du site. Pendant ce temps, quatre jeunes gens entrent par effraction dans une villa du domaine, jusqu'à ce que l'une des filles découvre un cadavre flottant dans la Baie... (Carlotta Films)
(plus)Critiques (4)
Utterly uninteresting for modern standards. Sometimes I wish I could watch these forgotten films at the time they came out, I’d love to see how my opinion would change.
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An incredibly convoluted and smart horror film! The gore scenes and the visual effects effects were unfortunately weak, very unsatisfying for today, but what manages to captivate is the fictional intricacies between the characters, with victims becoming murderers and such. The twists and turns and the plot are great, but as far as the horror aspect is concerned, it's rather below average. 50%
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Mario Bava is undeniably one of the greatest and most influential horror directors of all time. His impact on the genre is immense, and A Bay of Blood is a prime example of his legacy. This film can be considered the grandfather of slashers, predating the slasher boom sparked by Carpenter's Halloween by almost a decade. Its influence is further cemented by the fact that the Friday the 13th series paid homage to it twice; both the first and second installments featured kills staged exactly like those in A Bay of Blood, selecting the two most memorable murders. For its time, A Bay of Blood stands out with its level of violence and gore, unabashedly presented in all its bloody glory. Bava not only directed the film masterfully but also handled the cinematography himself. Expect imaginative camera work and brilliant editing that elevate the film technically. The soundtrack, typical of many Italian horrors, enhances the atmosphere beautifully. The story might be convoluted, but it has a significant advantage – it never bores. It keeps you eagerly anticipating the next twist. The mystery aspect is excellent, keeping you guessing about the murderer and their motives. I dare say the plot is unique and full of surprises, culminating in a truly WTF ending that I didn't see coming. Initially, it might feel disappointing, but upon reflection, it’s a masterful middle finger to the audience. I can vividly imagine Bava's sly grin as he successfully incorporated it. A Bay of Blood is a hidden gem in Bava's filmography and deserves more recognition among his top works.
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The ending of the film A Bay of Blood is truly well done and is sure to paint a look of surprise on your face, and perhaps even a smile, if you're not a staunch puritan and have a bit of a sense of humor. That's what the whole film is about, and in my opinion, it turned out very well. For its time, it is a unique work that wouldn't be out of place in contemporary productions. Additionally, all the effects are practical, not pixelated.
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