Résumés(1)

La cinéaste Niki Caro donne vie à l'extraordinaire épopée de Mulan, celle d'une jeune femme courageuse qui risque tout par amour de sa famille et de son pays, au point de devenir l'une des plus grandes guerrières que la Chine ait connues. (Walt Disney Company France)

Critiques (7)

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claudel 

Toutes les critiques de l’utilisateur·trice

français J'ai apprécié aussi bien la version animée que la version en prises de vue réelles, mais je ne suis simplement pas sûr que la version animée ait eu une ligne narrative aussi forte sur l'identité sexuée. Enfin, ce doit être devenu monnaie courante chez Disney ces dernières années. Et puis, les sorcières incarnées par Li Gong ne devraient déranger personne. Les amateurs de films d'action seront ravis de voir Jet Li, qui ne se donne pas beaucoup en spectacle, mais le peu qu'il montre confirme qu'il n'est pas encore bon pour la retraite. ()

MrHlad 

Toutes les critiques de l’utilisateur·trice

anglais Mulan lost its fairytale quality while failing to turn into an epic adventure for the whole family. A lot of scenes are completely unrelated to each other, the characters' motivations and goals change depending on how the film needs it, the action scenes are lousy, and the spectacular battle is downright ridiculous. Yifei Liu isn't charismatic or particularly convincing, Jet Li clearly would have liked to be somewhere else entirely, and Donnie Yen practically doesn't need to be here. And as a bonus, the typically ridiculous Asian pathos. Bad film. And if it really cost $200 million, they should hire some handy auditors at Disney, because it's actually pretty ugly too. The star is for the costumes. ()

Malarkey 

Toutes les critiques de l’utilisateur·trice

anglais I’m not sure it was a great idea for Disney to remake all the classic 90s films that made them famous. Some work, some don’t—it really depends on the execution. With Mulan, not only was the talking dragon missing, but it felt like everything was off. The movie seemed to contradict the spirit of other similarly styled Chinese historical films. On top of that, it was overwhelmingly feminist, to the point where I couldn’t tell if I noticed it because the current times make me hyper-aware of it, or because the director consciously pushed that angle. Either way, it’s clear Mulan had an impact on me—just not in a good way. ()

3DD!3 

Toutes les critiques de l’utilisateur·trice

anglais This movie lacks not only vision on the part of the director, but also consistency. Scenes strangely jump around a lot and are confusing. The motivations are as variable as the weather. The visual style relies on beautiful locations, but the scenery is a bit makeshift. However, the relationship between the father and daughter works beautifully. Liu Yifei is cute and knows how to act, but the Chinese aces such as Jet Li and Donnie Yen are inexcusably left on the sidelines and are practically unused. If they wanted a realistic version, they should have gotten tougher. Why couldn’t at least the training sequence be as hard-hitting as The 36th Chamber of Shaolin? ()

Annonces

RUSSELL 

Toutes les critiques de l’utilisateur·trice

anglais $200 million down the drain. It's baffling how a movie with such a massive budget can look so bad. The sterile green screen screams from almost every scene, making it impossible to get immersed in the film. The battle scenes are laughable, lacking any hint of epicness. The talking dragon is out, but somehow, there's even more magic than in the original animated version. Disney's unwillingness to take risks and support original projects is shameful. I'm done with their sad adaptations of beloved, still-great animated classics. ()

Stanislaus 

Toutes les critiques de l’utilisateur·trice

anglais I approached the live-action version of Mulan with a clean slate, so I decided ("for peace of mind") to watch the original film as well to have some comparison. Unlike the new Jungle Book and The Lion King, the live-action adaptation of Mulan is in many ways different from the animated original, which has its pros and cons. The film's comedic-fairytale line has been replaced, in a rather non-violent way, by a primarily war-drama-action dimension, and there are some changes in the cast of characters (here I very much appreciated the presence of the witch). The film offers some audiovisually impressive sequences (the avalanche or Mulan's encounter with the witch), while the plot is a bit more grounded and at times is too blatantly laced with feminist overtones. On the other hand, I appreciate the camera work and the pleasant musical score. Personally, I think the new Mulan definitely deserves a more favourable assessment. ()

wooozie 

Toutes les critiques de l’utilisateur·trice

anglais Pathetic. Mulan easily ranks among the worst and most boring Disney movies. There is nothing worth mentioning about this movie. A predictable story, logic holes, zero atmosphere and the whole thing is weirdly cut. Perhaps the worst thing of all is the practically non-existent and unintentionally funny action, where I would expect the creators of a movie about a warrior to really go to town. The battles are almost a parody, and it all feels terribly artificial (I can’t believe this cost 200 million, the comrades from China sure ripped them off). It is neither realistic nor fairytale-like. Let this film be evidence that even with these large blockbusters, custom-made one after another by the big shots at Disney, it does matter who is sitting in the director's chair. After Niki Caro’s poor effort this year, last year’s Aladdin will stand out even more, since Guy Ritchie is in an entirely different league. ()