Réalisation:
Leigh WhannellScénario:
Leigh WhannellPhotographie:
Stefan DuscioMusique:
Jed PalmerActeurs·trices:
Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Simon Maiden, Richard Cawthorne, Christopher Kirby (plus)VOD (5)
Résumés(1)
Après la mort de son épouse lors d'une violente agression qui l'a laissé paralysé, Grey Trace est approché par un inventeur milliardaire qui propose de lui administrer un remède expérimental qui va "upgrader" son corps et ses facultés. Désormais doté d'un implant fonctionnant à l'intelligence artificielle, Grey voit ses capacités physiques décuplées et se lance dans une mission vengeresse, afin de faire payer ceux qui ont tué sa femme. (Apollo Films)
(plus)Vidéo (3)
Critiques (13)
Un film de baston et de vengeance à thème efficacement améliorée. L'histoire est aussi simple qu'un ancien film de karaté de Van Damme, mais avec une dimension futuriste dans le cadre d'un budget moindre, rappelant davantage le premier Terminator. Un film SF d'action innovant avec des détails imaginatifs et une touche de sectarisme. Un Whannell qui surprend, Wan lui-même n'aurait pas fait mieux.
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Grey's wife was just killed by a group of thugs and he ended up in a wheelchair. But his days aren't over, thanks to an experimental chip and artificial intelligence, he's started walking again and can get his revenge, and the computer in his body is willing to help him do it. Upgrade is an action-packed B-movie that's surprisingly smarter than it looks at first glance. Plus, it has some great uncompromising and brutal action, so it's fun to watch. It's just a shame there wasn't someone more capable and charismatic in the lead role. But it's still very much above average in its genre.
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This is one of those films where the plausible psychological evolution of the main character, following a brutal attack and the loss of his beloved wife, is completely brushed aside and subordinated to him being able to joke and be tough, immediately after getting “superpowers”. To be clear, in this particular case it didn’t bother me at all, but it’s worth noting in case someone went to this film expecting some serious technological sci-fi. Upgrade is nothing but a light-weight B-movie. A quality and proud B-movie with a lot of nice ideas, plenty of original tricks and a confident technical aspect. I would compare it a little to the new Dredd, but as an experience, Upgrade is a notch higher. What’s fun is that many of the things that seem silly while watching make a lot more sense when you understand the points. On the other hand, I’m not quite sure whether everything that makes sense while watching, still make sense in hindsight. In any case, I’m happy that, after five years, Whannell has written something interesting again, and happier still that he found a director.
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Actually, I have no words. Upgrade is one hell of a cyber punk movie. A clever hard-core sci-fi, with the actor in the leading role who from now on should appear only in the best blockbusters (and I don't mind that he is an Australian copy of Thomas Hardy, known from the series Quarry) and especially with the story which can at any moment explode into a rollercoaster of emotions that the audience cannot handle all no matter how hard they try. One more exciting aspect is that you cannot expect or predict this explosion. I have not seen such a well-written and well-filmed sci-fi with such a good atmosphere and music in a long time.
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What’s the best method for revenge? Connect the internal automaton and bypass the conscience. A masterful work both visually and acoustically, which in the first half sometimes feels like a mechanical prank, but in the end removes all doubts. Bloody and realistic cyberpunk cleverly working with a minimalist design and distorted filming and a soundtrack that awakens memories of Deus Ex in me ... I'm installing it! Ex Machina without unnecessary feeling of being too smart, a good mixture of B-movie momentum and A-movie solutions.
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Annonces