Présumé innocent

Un thriller inhabituellement sombre pour Harrison Ford, mais conforme aux créations d’Alan J. Pakula, qui se déroule dans le milieu des avocats et des procureurs et dans lequel est commis un meurtre. Le scénario audacieux et la musique intimiste de John Williams soulignent bien le caractère angoissant de l’intrigue avec ses remontrances personnelles, ses dissimulations, ses mensonges et sa tension érotique. (17/07/2021)

A very nice court thriller. Harrison Ford’s colleague and lover is murdered and, according to the evidence, it seems he killed her. Is he crazy? Or did one of his colleagues framed him? Or is there something else? The film works very smartly with this mystery and until the very last scene, I didn’t know how things would unravel. And they unravel in a very interesting way, with a surprising twist. Strong four stars. (31/01/2012)

The theme, not that different from what appeared a few years later in the masterpiece The Fugitive deprived me of a smaller dose of surprise, even though Presumed Innocent had a completely different foundation in terms of its story and subsequent plot development, and it does end up going in a completely different direction. Director A. J. Pakula lacks any shred of dynamism he could have brought to the film, and the lack thereof is desperately evident in the result. Each scene on its own may not lack directorial precision and carries a spark of suspense or mystery, but as a cohesive whole, they lack gradation and momentum, thereby pushing the audience to the sidelines and leading to immense boredom. Even the fact that the screenplay has many original elements on paper cannot change anything about that. The cast remains diametrically very different. Harrison Ford doesn't suit the role well and gives a rather dull performance that slows the pace of the film even more. Raul Julia, on the other hand, is all the more important in a small but very important role. However, even the high-quality acting cannot lift the level of the film itself, which wanted (and certainly could have been) to be more than just an "ordinary" crime-thriller but also a compelling insight into the world of lawyers and their "big shots." (11/08/2005)

Compared to its competitors of the same year (Time to Kill, Primal Fear), Presumed Innocent is clearly the weakest courtroom thriller, which is a shame as Harrison Ford is a favourite of mine. The film lacks what all the other courtroom thrillers have, namely a star cast (Ford just isn't good enough for such a thriller), and the role of the prosecutor is absolutely underused and thus the film lacks the uncomfortable feeling in the air in the courtroom, and even the plot didn't interest me much, either I found it too corny or very predictable nowadays. Well in short, the film doesn't have much balls. It's watchable for Ford fans and to complement the courtroom genres, but personally I would prefer the two mentioned above. 60% (01/02/2015)

A classic American crime drama based on the structure of a trial of a murder suspect. Initially inconspicuous, almost looking like an ordinary film, it gradually increases the tension and creates an atmosphere of fear and a whole range of emotions from feelings of guilt to hatred. However, crucial for the review is the chilling ending, which contains a truly cynical and very depressing twist. The main character pays a price greater than the young detective in Fincher's thriller Seven for his moral failure. This is not just an immediate catharsis - this is a condemnation to never-ending horror. A very solid cast led by experienced veteran Harrison Ford. Overall impression: 90%. (10/08/2010)