Réalisation:
Everardo GoutScénario:
James DeMonacoPhotographie:
Luis David SansansMusique:
The Newton BrothersActeurs·trices:
Ana de la Reguera, Tenoch Huerta, Josh Lucas, Leven Rambin, Cassidy Freeman, Will Patton, Veronica Falcón, Susie Abromeit, Zahn McClarnon (plus)VOD (4)
Résumés(1)
Adela et son mari Juan habitent au Texas, où Juan travaille dans le ranch de la très aisée famille Tucker. Juan gagne l’estime du patriarche Caleb Tucker, ce qui déclenche la jalousie de Dylan, son fils. La matinée suivant le déchainement nocturne de violence annuelle, un groupe masqué attaque la famille Tucker, dont la femme de Dylan, et sa sœur, forçant les deux familles à s’unir et organiser une riposte alors que le pays entier sombre dans la spirale du chaos et que les États-Unis se désagrègent petit à petit autour d’eux. (Universal International FR)
(plus)Vidéo (2)
Critiques (5)
Peut-être le meilleur de la série jusqu'à présent. Non seulement Josh Lucas et Will Patton, mais aussi une production de qualité supérieure font de ce film une aventure assez intense. Bien sûr, c'est une aventure sombre et violente qui se déroule dans l'environnement idyllique d'un ranch texan, mais qui se transforme en un environnement presque postapocalyptique à la Snake Plissken. Les scènes d'action sont plus ambitieuses (deux d'entre elles semblent faire un clin d'œil aux célèbres plans-séquence de Children of Men), tout comme le traitement thématique des cicatrices de l'ère anti-mexicaine de Trump. Le scénario est sympathique et exploite actuellement un sujet politiquement remarquable dans toute cette série. Solide 3*.
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With every installment I think I've sufficiently girded myself, and yet I always stare in disbelief at how someone who can, for example, legally drive a car, could sign their name to something so horribly stupid. I'd like to say that DeMonaco can at least be acknowledged for how he manages to keep his finger on the pulse of the times and adapt that idiotic SAtiRe to current moods (criticism of the rich in post-crisis times, racial friction in the present), but there's no effort on his part to somehow clean up the scripts, make the characters at least something beyond inanimate pawns, or otherwise try to obliterate the pure fact that this is a mere money-grab, parasitizing on current social ills. And here's the problem – I don't actually know whether to be mad at him for this, because I don't think he has the capacity for anything better. Should I be angry at the stupid man in power or at the society that elected him there based on his stupid slogans? Likewise, I wonder, should I hate the stupid DeMonaco or the viewing public that has caused the fourth sequel of the most nonsensical and contrived plot ever to hit theaters? (Not to mention that technically, from the digital flames and blood to the horrible color-grading, it totally looks like Asylum).
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This time the Purge did not end after twelve hours and all hell broke loose in America. Murderous lunatics are on the streets, killing anyone who gets in their way. Will the heroes find a place where they can be safe, or will they too be consumed by a Purge that should never end? The fifth installment of the action-horror franchise introduces new settings and new characters, but still relies on a combination of scares and shootouts in the burning streets of cities. It's been done a couple of episodes back, only this time it's a tad worse. Fans will probably be happy, as the decline from the previous films isn't too significant, but if you felt like you'd had enough of The Purge in the past, feel free to skip this latest one. You'll find only what was there last time, just a whole lot worse looking and less entertaining.
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The fifth and perhaps last episode is, together with the first, the weakest. It's very obvious the the Purge franchise is a cash cow without higher ambitions, but this time I felt that they didn't try to stick to what I enjoyed in the previous films. It's nice that they still manage to come up with something relatively new and interesting, but this sequel lacked juice for me. There is not much gore, the setting of Mexico is fine, but when I remember Sicario, where I had an uncomfortable feeling with every shot, that is definitely not the case here. The action is routine, the shootouts are not impressive (at times it felt like a cheaper 90's B-movie), even the Masks, what Purge is famous for, I can't think of any cool one after watching it. There definitely won't be a Halloween costume sale after this one. I'd rather not see another sequel. Story 2/5, Action 3/5, Humor 0/5, Violence 2/5, Fun 3/5 Music 2/5, Visuals 3/5, Atmosphere 2/5, Suspense 3/5. 5/10.
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I like that here, for the first time, they show how utterly stupid and nonsensical the concept of The Purge is, something that has persistently prevented me from really enjoying any of the previous episodes. Ironically, the creators came to this conclusion only after four feature films and a TV series based on it, but whatever. In The Forever Purge, embittered American patriots defy the sirens announcing the end of the Purge and go on a rampage. If we think about last January’s footage from the Washington Capitol, it must be admitted that the filmmakers have quite hit the mood of America with this entire series, and The Purge as a phenomenon actually transcends its individual episodes, which are mediocre B-movies at best. The previous episodes kind of blend into one for me, but I feel like I had an above average time with this last bit. Maybe it's also because I went to the cinema for the first time after several months of withdrawal.
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Photos (31)
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