Réalisation:
Roman PolańskiPhotographie:
Sven NykvistMusique:
Philippe SardeActeurs·trices:
Roman Polański, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Bernard Fresson, Lila Kedrova, Claude Dauphin, Patrice Alexsandre, Claude Piéplu (plus)Résumés(1)
Trelkovsky est un personnage solitaire et discret. Petit employé dans un service d'archives à Paris, cet émigré polonais vient d'obtenir sa naturalisation. Il visite un appartement inoccupé dans un quartier populaire du nord de la capitale. Le propriétaire des lieux, après lui avoir annoncé que l'ancienne locataire vient de succomber à une tentative de suicide, lui conseille d'observer le plus grand des silences par respect pour le voisinage. Malgré ses efforts, Trelkovsky est accablé par ses voisins de multiples reproches infondés. Persécuté, il ne se sent plus en sécurité chez lui. (LaCinetek)
(plus)Critiques (6)
Thriller psychologique de [[Créateur:|id=2000]] par Roman Polanski. Cela signifie qu'il est aussi captivant que les ampoules traditionnelles américaines, mais sans leurs méthodes éprouvées. Il est rafraîchissant de voir de temps en temps un film dans lequel le créateur parvient à atteindre le même effet d'une manière si singulière et sensible sur le plan de la réalisation. Cela s'appelle l'art cinématographique. C'est d'autant plus grand lorsque le créateur est également devant la caméra.
()
A masterful study of paranoid behaviour. Basically, it is a horror story in which, thanks to many grotesque and absurd situations, there is no lack of humour. Polanski plays also the main role and very well at that. He himself doesn't like this film very much, but I think he has nothing to be ashamed of.
()
Roman Polanski proves that he doesn’t only know how to direct very well, but that he can also carry a film on his shoulders with his acting prowess. The Tenant is a perfect example of a psychological thriller with horror elements, and with a truly fantastic paranoid atmosphere. I won’t say that I couldn’t breathe because of the fear, but I certainly wasn’t bored. 85%
()
The female version of Roman Polanski is excellent in front of the camera, but the masculine alter ego behind the camera is so bland this time. Unlike Repulsion, it fails to evoke a disturbingly hypnotic atmosphere, so it's just boring for most of its running time.
()
I would say that this is a somewhat overrated film. The concept is good, especially in the first half, where the director unfolds a game full of disturbing hints and doesn't push too hard, it has a decent atmosphere, and in some moments it is even comically entertaining, although it is primarily a psychothriller with a horror atmosphere. Unfortunately, in the second half, the script unfolds way too wild of a performance around the psychosis of the main character and his gradual mental breakdown. The problem is also that Polanski as an actor is far from the qualities of Polanski as a director, so it is true that films where Polanski cast himself in the lead role are noticeably weaker. A charismatic actor like Jack Nicholson should have been cast in the part where the film escalates and shows the paranoia of its protagonist. Polanski succeeds in the first half, where he only needs to show his shy face, but he fails in the parts where he meant to unfold a wide range of emotions. Overall impression: 55%.
()
It's admirable how simple Polanski's means are to create a perfectly mysterious and at times truly horrific atmosphere. Moreover, he plays a nice trick on the viewer, because it is through that atmosphere and his directorial approach that he constantly makes us believe what is happening to the main character. It's quite clear that it's paranoia, but you still get that uncomfortable inner feeling.))) An insightful, psychologically well-executed thriller, in which Polanski, in addition to directing, also played the lead role (both very well).
()
Annonces